History is generally written _en face_. It reminds us occasionally of certain royal family pictures, where the centre is occupied by the king and queen, while their children are ranged on each side like organ-pipes, and the courtiers and ministers are grouped behind, according to their respective ranks. All the figures seem to stare at some imaginary spectator, who would require at least a hundred eyes to take in the whole of the assemblage. This place of the imaginary spectator falls generally to the lot of the historian, and of those who read great historical works; and perhaps this is inevitable. But it is refreshing for once to change this unsatisfactory position, and, instead of always looking straight in the faces of kings, and queens, and generals, and ministers, to catch, by a side-glance, a view of the times, as they appeared to men occupying a less central and less abstract position than that of the general historian. If we look at the Palace of Versailles from the terrace in front of the edifice, we are impressed with its broad magnificence, but we are soon tired, and all that is left in our memory is a vast expanse of windows, columns, statues, and wall. But let us retire to some of the _bosquets_ on each side of the main avenue, and take a diagonal view of the great mansion of Louis XIV., and though we lose part of the palace, the whole picture gains in color and life, and it brings before our mind the figure of the great monarch himself, so fond of concealing part of his majestic stateliness under the shadow of those very groves where we are sitting.