Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
But, as he wished to be on good terms with his father, he stayed at home,
and travelled about to inspect his future kingdom. “C’est un peu plus
honnête qu’en Sibérie,” he writes, “mais pas de beaucoup.” Frederic, after
his marriage, took up his abode in the Castle of Rheinsberg, near
Neu-Ruppin, and it was here that he spent the happiest part of his
existence. M. de Schlözer has described this period in the life of the
king with great art; and he has pointed out how Frederic, while he seemed
to live for nothing but pleasure,—shooting, dancing, music, and
poetry,—was given at the same time to much more serious
occupations,—reading and composing works on history, strategy, and
philosophy, and maturing plans which, when the time of their execution
came, seemed to spring from his head full-grown and full-armed. He writes
to his sister, the Markgravine of Baireuth, in 1737:—
“Nous nous divertissons de rien, et n’avons aucun soin des choses
de la vie, qui la rendent désagréable et qui jettent du dégoût sur
les plaisirs. Nous faisons la tragédie et la comédie, nous avons
bal, mascarade, et musique à toute sauce. Voilà un abrégé de nos
amusements.”
And again, he writes to his friend Suhm, at Petersburg:—
“Nous allons représenter l’_Œdipe_ de Voltaire, dans lequel je
ferai le héros de théâtre; j’ai choisi le rôle de Philoctéte.”
A similar account of the royal household at Rheinsberg is given by
Bielfeld:—
“C’est ainsi que les jours s’écoulent ici dans une tranquillité
assaisonneé de tous les plaisirs qui peuvent flatter une âme
raisonnable. Chère de roi, vin des dieux, musique des anges,
promenades délicieuses dans les jardins et dans les bois, parties
sur l’eau, culture des lettres et des beaux-arts, conversation
spirituelle, tout concourt à repandre dans ce palais enchanté des
charmes sur la vie.”
Frederic, however, was not a man to waste his time in mere pleasure. He
shared in the revelries of his friends, but he was perhaps the only person
at Rheinsberg who spent his evenings in reading Wolff’s “Metaphysics.” And
here let us remark, that this German prince, in order to read that work,
was obliged to have the German translated into French by his friend Suhm,
the Saxon minister at Petersburg. Chasot, who had no very definite duties
to perform at Rheinsberg, was commissioned to copy Suhm’s manuscript,—nay,
he was nearly driven to despair when he had to copy it a second time,
because Frederic’s monkey, Mimi, had set fire to the first copy. We have
Frederic’s opinion on Wolff’s “Metaphysics,” in his “Works,” vol. i. p.
263:—
Public-domain text, read in full here on John Shaqi.
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