may use an unpleasant simile, like the chain of a gang of galley-slaves. These slaves, we are told, very soon fall into the same pace, without being aware that their movements depend altogether on the movements of those who walk before them. It is nearly the same with us. We imagine we are altogether free in our thoughts, original and independent, and we are not aware that our thoughts are manacled and fettered by language, and that, without knowing and without perceiving it, we have to keep pace with those who walked before us thousands and thousands of years ago. Language alone binds people together, and keeps them distinct from others who speak different tongues. In ancient times particularly, “languages and nations” meant the same thing; and even with us our real ancestors are those whose language we speak, the fathers of our thoughts, the mothers of our hopes and fears. Blood, bones, hair, and color, are mere accidents, utterly unfit to serve as principles of scientific classification for that great family of living beings, the essential characteristics of which are thought and speech, not fibrine, serum, coloring matter, or whatever else enters into the composition of blood. If this be true, the inhabitants of Cornwall, whatever the number of Roman, Saxon, Danish, or Norman settlers within the boundaries of that county may have been, continued to be Celts as long as they spoke Cornish. They ceased to be Celts when they ceased to speak the language of their forefathers. Those who can appreciate the charms of genuine antiquity will not, therefore, find fault with the enthusiasm of Daines Barrington or Sir Joseph Banks in listening to the strange utterances of Dolly Pentreath; for her language, if genuine, carried them back and brought them, as it were, into immediate contact with people who, long before the Christian era, acted an important part on the stage of history, supplying the world with two of the most precious metals, more precious then than gold or silver, with copper and tin, the very materials, it may be, of the finest works of art in Greece, aye, of the armor wrought for the heroes of the Trojan War, as described so minutely by the poets of the “Iliad.” There is a continuity in language which nothing equals, and there is an historical genuineness in ancient words, if but rightly interpreted, which cannot be rivaled by manuscripts, or coins, or monumental inscriptions.