Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and AntiquitiesMüller, F. Max (Friedrich Max)
Religion
Chips from a German Workshop, Volume 3: Essays on Literature, Biography, and Antiquities
Müller, F. Max (Friedrich Max)
Comparative linguistics; Folklore; Literature -- History and criticism; Mythology; Religions
Next to our faith in God, there is nothing so essential to the healthy
growth of our whole being as an unshaken faith in man. This faith in man
is the great feature in Schiller’s character, and he owes it to a kind
Providence which brought him in contact with such noble natures as Frau
von Wolzogen, Körner, Dalberg; in later years with his wife; with the Duke
of Weimar, the Prince of Augustenburg, and lastly with Goethe. There was
at that time a powerful tension in the minds of men, and particularly of
the higher classes, which led them to do things which at other times men
only aspire to do. The impulses of a most exalted morality—a morality
which is so apt to end in mere declamation and deceit—were not only felt
by them, but obeyed and carried out. Frau von Wolzogen, knowing nothing of
Schiller except that he had been at the same school with her son, received
the exiled poet, though fully aware that by doing so she might have
displeased the Duke and blasted her fortunes and those of her children.
Schiller preserved the tenderest attachment to this motherly friend
through life, and his letters to her display a most charming innocence and
purity of mind.
Another friend was Körner, a young lawyer living at Leipzig, and
afterwards at Dresden—a man who had himself to earn his bread. He had
learned to love Schiller from his writings; he received him at his house,
a perfect stranger, and shared with the poor poet his moderate income with
a generosity worthy of a prince. He, too, remained his friend through
life; his son was Theodore Körner, the poet of “Lyre and Sword,” who fell
fighting as a volunteer for his country against French invaders.
Public-domain text, read in full here on John Shaqi.
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