Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American WritersMartin, Benj. N. (Benjamin Nicholas)
General
Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American Writers
Martin, Benj. N. (Benjamin Nicholas)
American literature
In this country most young men are poor. Time is the rock from which
they are to hew out their fortunes; and health, enterprise, and
integrity, the instruments with which to do it. For this, diligence in
business, abstinence from pleasures, privation even, of everything that
does not endanger health, are to be joyfully welcomed and borne. When we
look around us, and see how much of the wickedness of the world
springs from poverty, it seems to sanctify all honest efforts for the
acquisition of an independence; but when an independence is acquired,
then comes the moral crisis, then comes an Ithuriel test, which shows
whether a man is higher than a common man, or lower than a common
reptile. In the duty of accumulation--and I call it a _duty_, in the most
strict and literal signification of that word--all below a competence
is most valuable, and its acquisition most laudable; but all above a
fortune is a misfortune. It is a misfortune to him who amasses it; for
it is a voluntary continuance in the harness of a beast of burden, when
the soul should enfranchise and lift itself up into a higher region of
pursuits and pleasures. It is a persistence in the work of providing
goods for the body after the body has already been provided for; and
it is a denial of the higher demands of the soul, after the time has
arrived, and the means are possessed, of fulfilling those demands....
Because the lower service was once necessary, and has, therefore, been
performed, it is a mighty wrong, when, without being longer necessary,
it usurps the sacred rights of the higher.
* * * * *
=_Orestes A. Brownson, 1800-._= (Manual, p. 480.)
From "New Views."
=_159._= THE DUTY OF PROGRESS.
Public-domain text, read in full here on John Shaqi.
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