Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American WritersMartin, Benj. N. (Benjamin Nicholas)
General
Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American Writers
Martin, Benj. N. (Benjamin Nicholas)
American literature
That Coleridge with his mental pockets full of gold, and with a mine in
fee wherefrom he not only replenished his daily purse but enriched his
neighbors, should now and then borrow a guinea, is a fact at which we
should rather smile than frown, or, more fitly, pass by without special
sensation, seeing what has been the practice of the highest,--a practice
which may with full ethical assent be regarded as a privilege inherent
in their supremacy, the free use of all knowledge collected and
experience acquired, no matter when, where, or by whom, being a natural
right of him _who has the genius to turn it to best account_. That in
certain cases where acknowledgment was due it was not made, we may
ascribe to opinion; or to defects which broke the complete rotundity of
such a circle of endowments that without this breach they would have
swollen their possessor to almost preterhuman proportions, empowering
him to "bestride the narrow world like a Colossus."
Let the truth be spoken of all men. Let no man's greatness be a bar
to full utterance; but let temperance and charity--duties peculiarly
imperative when uttering derogatory truth--be especially observed
towards a resplendent suffering brother like Coleridge, suffering from
his own weakness, but on that very account entitled to a tenderer
consideration from those who are themselves endowed to feel and claim
something more than common human affinity with a nature so large and so
susceptive. Could but a tithe of the fresh insights he has given us be
allowed as an offset against his short-comings, never, from any scholar
of sound sensibilities, would a whisper be heard against his name. Under
the coarse, rusty, one-pronged spur of sectarian or political rancor,
or from the knawing consciousness of sterile inferiority to a creative
mind, plenty of people are ready and eager to try, with their net-work
of flimsy phrases, to cramp the play of a giant's limbs, or, with the
slow slimy poison of envy and malice, to spot and deform his beauty and
his symmetry. To such, to the half-eyed and the half-souled, to the
prosaic and the unsympathetic, be left all harsh condemnation of
Coleridge.
For the living, not for the dead, are these inadequate words spoken. The
writings of Coleridge--in tone high, refined, noble; in expression rich,
choice, copious; in spirit as pure as the sun's light; intellectually
of rare breadth and mellowness and brilliancy--are a healthful power in
literature, their influence solely for good, warming, strengthening,
elevating. As for Coleridge himself, his is an immortal name; and as
he walks through the ages his robes adjusting themselves with varying
grace, in harmony with the mutations of opinion, his inward life will be
ever fresh to his fellow-men, while his detractors will be shaken from
him as _gryllidoe_ from the tunic of the superb Diana.
* * * * *
=_Ralph Waldo Emerson, 1803-_= (Manual pp. 478, 503, 531.)
From "Essays," Second Series.
Public-domain text, read in full here on John Shaqi.
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