Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American WritersMartin, Benj. N. (Benjamin Nicholas)
General
Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American Writers
Martin, Benj. N. (Benjamin Nicholas)
American literature
The sisters were together, together for the last time in the happy home
of their childhood. The window before them was thrown open, and the
shadows of evening were slowly passing from each familiar outline on
which the gazers looked. They were both young and fair; and one, the
elder, wore that pale wreath the maiden wears but once. The accustomed
smile had forsaken her lip now, and the orange-flowers were scarcely
whiter than the cheek they shaded. The sister's hands were clasped in
each other, and they sat silently watching the gradual brightening of
the crescent moon, and the coming forth, one by one, of the stars. Not a
cloud was floating in the quiet sky; the light wind hardly stirred the
young leaves, and the air was fraught with the fragrance of early spring
flowers. It was the hour when reverie is deepest, and fantasies have the
earnestness of truth, when memory is melancholy in its vividness, and we
feel, "almost like a reality," the presence of those who may bless our
pathway no more. The loved, the lost--
"So many, yet how few!"--
gather around us, not as they are, chastened and troubled by battling
with trials and disappointments, but as they used to be, in the glow of
unwearied expectation. Old fears flit before us altered into pleasures,
and old hopes return bathed in tears.
* * * * *
=_Alice Cary, 1820-1871._= (Manual, p. 484.)
From "Clovernook."
=_238._= THE END OF THE HISTORY.
And so with the various seasons of the year. May, with her green lap
full of sprouting leaves and bright blossoms, her song-birds making the
orchards and meadows vocal, and rippling streams and cultivated gardens;
June, with full-blown roses and humming-bees, plenteous meadows and wide
cornfields, with embattled lines rising thick and green; August, with
reddened orchards and heavy-headed harvests of grain, October, with
yellow leaves and swart shadows; December, palaced in snow, and idly
whistling through his numb fingers;-all have their various charm; and in
the rose-bowers of summer, and as we spread our hands before the torches
of winter, we say joyfully, "Thou hast made all things beautiful in
their time." We sit around the fireside, and the angel feared and
dreaded by us all comes in, and one is taken from our midst. Hands that
have caressed us, locks that have fallen over us like a bath of beauty,
are hidden beneath shroud-folds. We see the steep edges of the grave,
and hear the heavy rumble of the clods; and, in the burst of passionate
grief, it seems that we can never still the crying of our hearts. But
the days rise and set, dimly at first, and seasons come and go, and,
by little and little, the weight rises from the heart, and the shadows
drift from before the eyes, till we feel again the spirit of gladness,
and see again the old beauty of the world.
* * * * *
=_Donald G. Mitchell, 1822-._= (Manual, pp. 504, 531.)
From "Wayside Hints."
=_239._= A TALK ABOUT PORCHES.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account