Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American WritersMartin, Benj. N. (Benjamin Nicholas)
General
Choice Specimens of American Literature, and Literary Reader: Being Selections from the Chief American Writers
Martin, Benj. N. (Benjamin Nicholas)
American literature
The spoken eloquence of New England is for the most part from
manuscript. Her first settlers brought old-world forms, and fashions
from the old world, with them. Their preachers were set an appalling
distance from their congregations. Between the pulpit, perched far up
toward the ceiling, and the seats, was an awful abysmal depth. Above the
lofty desk was dimly seen the white cravat, and above that the head
of the preacher. His eye was averted and fastened downward upon his
manuscript, and his discourse, or exercitation, or whatever it might be,
was delivered in a monotonous, regular cadence, probably relieved
from time to time by some quaint blunder, the result of indistinct
penmanship, or dim religious light. It was not this preacher's business
to arouse his audience. The theory of worship of the period was
opposed to that. This people did not wish excitement, or stimulus, or
astonishment, or agitation. They simply desired information; they wished
to be instructed; to have their judgment informed, or their reason
enlightened. Thus the preacher might safely remain perched up in his far
distant unimpassioned eyrie.
But how would such a style of eloquence--if, indeed, truth will permit
the name of eloquence to be applied to the reading of matter from a
preconcerted manuscript--how would such a style of delivery be received
out in the wild West? Place your textual speaker out in the backwoods,
on the stump, where a surging tide of humanity streams strongly around
him, where the people press up toward him on every side, their keen
eyes intently perusing his to see if he be in real earnest,--"dead in
earnest"--and where, as with a thousand darts, their contemptuous scorn
would pierce him through if he were found playing a false game, trying
to pump up tears by mere acting, or arousing an excitement without
feeling it. Would such a style of oratory succeed there? By no means.
The place is different; the hearers are different; the time, the thing
required, all the circumstances, are totally different. Here, in the
vast unwalled church of nature, with the leafy tree-tops for a ceiling,
their massy stems for columns; with the endless mysterious cadences of
the forest for a choir; with the distant or nearer music and murmur of
streams, and the ever-returning voice of birds, sounding in their ears
for the made-up music of a picked band of exclusive singers: here stand
men whose ears are trained to catch the faintest foot-fall of the
distant deer, or the rustle of their antlers against branch or bough of
the forest track--whose eyes are skilled to discern the trail of savages
who leave scarce a track behind them; and who will follow upon
that trail--utterly invisible to the untrained eye--as surely as a
blood-hound follows the scent, ten or twenty, or a hundred miles, whose
eye and hand are so well practised that they can drive a nail, or snuff
a candle, with the long, heavy western rifle. Such men, educated for
Public-domain text, read in full here on John Shaqi.
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