Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
History
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
Readers, who have accompanied the Editor both in text and comment
throughout these three volumes of Reprints from the _Drolleries of the
Restoration_, can scarcely have failed to see that he has desired to
present the work for their study with such advantages as lay within his
reach. Certainly, he never could have desired to assist in bringing these
rare volumes into the hands of a fresh generation, if he believed not
that their few faults were far outweighed by their merits; and that much
may be learnt from both of these. Every antiquary is well aware that
during the troubled days of the Civil War, and for the remaining years
of the seventeenth century, books were printed with such an abundance
of typographical errors that a pure text of any author cannot easily be
recovered. In the case of all unlicensed publications, such as anonymous
pamphlets, _facetiæ_, broad-sheet Ballads, and the more portable
_Drolleries_, these imperfections were innumerable. Dropt lines and
omitted verses, corrupt readings and perversions of meaning, sometimes
amounting to a total destruction of intelligibility, might drive an
Editor to despair.
In regard to the _Drolleries_-literature, especially, if we remember, as
we ought to do, the difficulties and dangers attendant on the printing of
these political squibs and pasquinades, we shall be less inclined to rail
at the original collector, or “author,” and printers. If we ourselves, as
Editor, do our best to examine such other printed books and manuscripts
of the time, as may assist in restoring what for awhile was corrupted
or lost from the text (_keeping these corrections and additions clearly
distinguished, within square brackets, or in Appendix Notes_ to each
successive volume), we shall find ourselves more usefully employed than
in flinging stones at the Cavaliers of the Restoration, because they left
behind them many a doubtful reading or an empty flaggon.
We have given back, to all who desire to study these invaluable
records of a memorable time, four complete unmutilated works (except
twenty-seven necessarily dotted words): and we could gladly have
furnished additional information regarding each and all of these, if
further delay or increased bulk had not been equally inexpedient.
1.—In _Choyce Drollery_, 1656, are seen such fugitive pieces of poetry as
belong chiefly to the reign of Charles 1st., and to the eight years after
he had been judicially murdered.
2.—In _Merry Drollery_, 1661, and in the _Antidote against Melancholy_
of the same date, we receive an abundant supply of such Cavalier songs,
ballads, lampoons or pasquinades, social and political, as may serve to
bring before us a clear knowledge of what was being thought, said, and
done during the first year of the Restoration; and, indeed, a reflection
of much that had gone recently before, as a preparation for it.
Public-domain text, read in full here on John Shaqi.
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