Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
History
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
To no other living writer are we lovers of old literature more deeply
indebted than to the veteran John Payne Collier, who is now far
advanced in his eighty-seventh year, and whose intellect and industry
remain vigorously employed at this great age: one proof of the fact
being his new edition of Shakespeare (each play in a separate quarto,
issued to private subscribers), begun in January, 1875, and already
the Comedies are finished, in the third volume. Among his numerous
choice reprints of rare originals, his series of the more than “_Seven
Early Poetical Miscellanies_” was a work of greatest value. To these,
with his new “_Shakespeare_,” the interesting “_Old Man’s Diary_,” his
“_Bibliographical and Critical Account of the Rarest Books in the English
Language_,” his “_Annals of the Stage_,” “_The Poetical Decameron_,”
his charming “_Book of Roxburghe Ballads_,” 1847, his “_Broadside
Black-Letter-Ballads_,” 1868, and other labours, no less than to his
warmth of heart and friendly encouragement by letters, the present Editor
owes many happy hours, and for them makes grateful acknowledgment.
About the year 1870, J. P. Collier issued to private subscribers his
very limited and elegant Reprint, in quarto, of “_An Antidote against
Melancholy_,” 1661. This is already nearly as unattainable as the
original.
J. P. Collier gave no notes to his Reprint of the “Antidote,” but, in the
brief Introduction thereunto, he mentioned that:—“This poetical tract has
been selected for our reprint on account of its rarity, the excellence
of the greater part of its contents, the high antiquity of some of
them, and from the fact that many of the ballads and humorous pieces of
versification are either not met with elsewhere, or have been strangely
corrupted in repetition through the press. Two or three of them are used
by Shakespeare, and the word ‘incarnadine’ [see our p. 148] is only found
in ‘Macbeth’ (A. ii., sc. 2), in Carew’s poems, and in this tract: here
we have it as the name of a red wine; and nobody hitherto has noticed it
in that sense.
“When Ritson published his ‘Robin Hood’ in 1795, he relied chiefly upon
the text of the famous ballad of ‘Arthur o’ Bradley,’ as he discovered
it in the miscellany before us [See our _Merry Drollery, Compleat_, pp.
312, 399; also, in present volume, p. 166, and Additional Note]; but,
learned in such matters as he undoubtedly was, he was not aware of the
very early period at which ‘Arthur o’ Bradley’ was so popular as to be
quoted in one of our Old Moralities, which may have been in existence in
the reigns of Henry VI. or Henry VII., which was acted while Henry VIII.
or Edward VI. were on the throne, and which is contained in a manuscript
bearing the date of 1579.
Public-domain text, read in full here on John Shaqi.
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