Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
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Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
Of course, it was the spice deserved blame, not the liquor (as Sam Weller
observed, on a similar occasion, “Somehow it always _is_ the salmon”).
Those who remember (at the Johnson in Fleet Street, or among the
Harmonist Society of Edinburgh) the suggestive lingering over the first
syllable of the word “gin-ger,” when “this song is well sung,” cannot
willingly relinquish the half-line. It is a genuine relic, for it also
occurs in Beaumont and Fletcher’s “Knight of the Burning Pestle,” about
1613, Act i. sc. 3; where chirping Old Merrythought, “who sings with
never a penny in his purse,” gives it thus, while “singing and hoiting”
[i.e., skipping]:—
_Nose, nose, jolly red nose,_
_And who gave thee this jolly red nose?_
Cinnamon and ginger, nutmegs and cloves,
_And they gave me this jolly red nose_.
And we know, by _A Booke of Merrie Riddles_, 1630, and 1631, that it was
much sung:
—_then Ale-Knights should_
_To sing this song not be so bold,_
Nutmegs, Ginger, Cinamon and Cloves,
They gave us this jolly red nose.
Same p. 155. _This Ale, my bonny lads, &c._
Like Nos. 4, 21, 24, 31, &c., not yet found elsewhere.
Page 156. _What! are we met? Come. &c._
With music by Thomas Holmes, in Hilton’s _Catch that Catch can_, 1652, p.
46.
Same p. 156. _Jog on, jog on the foot path-way._
The four earliest lines of this ditty are sung by Autolycus the Pedlar,
and “picker up of unconsidered trifles,” in Shakespeare’s _Winter’s Tale_
(about 1610), Act iv. sc. 2. Whether the latter portion of the song was
also by him (nay, more, whether he actually wrote, or merely quoted even
the four opening lines), cannot be determined. We prefer to believe
that from his hand alone came the fragment, at least—this lively snatch
of melody, with good philosophy, such as the Ascetics reject, to their
own damage. No wrong is done in accepting the remainder of the song as
genuine. The final verse is orthodox, according to the Autolycusian rule
of faith. It is in _Windsor Drollery_, p. 30; and our Introduction to
_Westminster-Drollery_, p. xxxv.
Page 157. _The parcht earth drinks_, &c.
Compare, with this lame paraphrase of Anacreon’s racy Ode, the more
poetic version by Abraham Cowley, printed in _Merry Drollery, Compleat_,
p. 22 (not in 1661 ed. _Merry D._) All of Cowley’s Anacreontiques are
graceful and melodious. He and Thomas Stanley fully entered into the
spirit of them, _arcades ambo_.
Same p. 157. _A Man of Wales_, &c.
We meet this, six years earlier, in _Wits Interpreter_, 1655 edit., p.
285; 1671, p. 290. Our text is the superior.
Page 158. _Drink, drink, all you that think._
Also found in _Wit and Mirth_, 1684, p. 113.
Page 159. _Welcome, welcome, again to thy wits._
Public-domain text, read in full here on John Shaqi.
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