Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
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Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
In verse 26, we cannot with absolute certainty fill the blank. Yet, in
the absence of disproof, we can scarcely doubt that the name suppressed
was neither _Sexby_, “an active agitator,” who, in 1658, employed against
Cromwell “all that restless industry which had formerly been exerted in
his favour” (Hume’s _Hist. Engd._, cap. lxi.); nor “Doomsday Sedgwick;”
not _Sidney_, staunch Republican, Algernon Sidney, whose condemnation was
in 1687 secured most iniquitously, and whose death more disgracefully
stains the time than the slaughter of Russell, although sentimentalism
chooses the latter, on account of his wife. Sidney was “but a young
member” at the Dissolution of 20th April, 1653. Probably the word was
_Say_, the notorious “Say and Seale,” “Crafty Say,” of whom we read:—
_There’s half-witted ~Will Say~ too,_
_A right Fool in the Play too,_
_That would make a perfect Ass,_
_If he could learn to Bray too._
(“Chips of the Old Block,” 1659; _Rump_, ii. 17.)
Page 64 [213]. _I went from ~England~, &c._
A MS. assertion gives the date of this _Cantilena de Gallico itinere_ as
1623. There seems to us no good reason for doubting that the author was
DR. RICHARD CORBET (1582-1635), Bishop of Oxford, afterwards of Norwich.
It is signed Rich. Corbett in Harl. MS. No. 6931, fol. 32, _reverso_,
and appears among his printed poems, 3rd edit. 1672, p. 129. In _Wit and
Mirth_, 1684, p. 76, it is entitled “Dr. Corbet’s Journey,” &c. But it
is fair to mention that we have found it assigned to R. GOODWIN, by the
epistolary gossip of inaccurate old Aubrey (see Col. Franc. Cunningham’s
_“Mermaid edit.” of Ben Jonson_, i. Memoirs, p. lvii. first note). In
a recent edition of Sir John Suckling’s Works, 1874, it is printed as
if by him (“There is little doubt that it is his”), i. 102, without any
satisfactory external evidence being adduced in favour of Suckling. In
fact, the external evidence goes wholly against the theory. The very MS.
Harl. 367, which is used as authority, is both imperfect and corrupt
throughout, as well as anonymous (_ex. gratiæ_, misreading the _Bastern_,
for Bastile), and the date on it, 1623, will not suit Suckling at all:
though Sir Hy. Ellis is guessed (by his supposed handwriting,) to
have attributed it to him. Could it be possible that he was otherwise
unacquainted with the poem?
At earlier date than our own copy we find it, by Aug. 30th, 1656, in
_Musarum Deliciæ_, p. 17, and in _Parnassus Biceps_, also 1656, p. 24.
From this (as well as Harl. MS. 367) we gain corrections printed as our
_marginalia_, pp. 214-6: _deserv’d_, for received; _statue_ stairs, At
_Nôtre Dame_; prate, _doth_ please, &c. Harl. MS. 367 reads “The Indian
_Roc_” [probably it is correct]; and “As great and wise as Luisuè”
[Luines, who died 1622]. _Parnassus Biceps_ has an extra verse, preceding
the one beginning “His Queen,” (and Harl. 367 has it, but inferior):—
Public-domain text, read in full here on John Shaqi.
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