Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
History
Choyce Drollery: Songs and Sonnets: Being a Collection of Divers Excellent Pieces of Poetry, of Several Eminent Authors.
English poetry -- Early modern, 1500-1700; English wit and humor; Songs, English -- Texts
Vane, Marten, and Sir Peter Wentworth tried to interrupt him, but it was
almost beyond their power. Wentworth could but irritate him by indignant
censure. He crushed his hat on, sprang from his place, shouting that
he would put an end to their prating, and, while he strode noisily
along the room, railed at them to their face, not naming them, but with
gestures giving point to his invectives. He told them to begone: “I say
you are no Parliament! I’ll put an end to your sitting. Begone! Give way
to honester men.” A stamp of his foot followed, as a signal; the door
flies open, “five or six files of musqueteers” are seen with weapons
ready. Resistance (so prompt, with less provocation, in 1642) is felt
to be useless, and, except mere feminine scolding, none is attempted.
Not one dares to struggle. Afraid of violence, their swords hang idly
at their side. As they pass out in turn, they meet the scathing of
Oliver’s rebuke. His control of himself is gone. Their crimes are not
forgotten. He denounces Challoner as a drunkard, Wentworth for his
adultery, Alderman Allen for his embezzlement of public military money,
and Bulstrode Whitelock of injustice. Harry Marten is asked whether
a whore-master is fit to sit and govern. Vane is unable to resist a
feeble protest, availing nothing—“This is not honest: Yea! it is against
morality and honesty.” In the absence of such crimes or flagrant sins
of his companions, as his own frozen nature made him incapable of
committing, there are remembered against him his interminable harangues,
his hair-splitting, his self-sufficiency; and all that early deliberate
treachery in ransacking his father’s papers, which he employed to cause
the death of Strafford. To all posterity recorded, came the ejaculation
of Cromwell: “Sir Harry Vane, Sir Harry Vane—the Lord deliver me from Sir
Harry Vane!” And, excepting a few dissentient voices, the said posterity
echoes the words approvingly. The “bauble” mace had been borne off
ignominiously, the documents were seized, including that of the unpassed
measure, the room was cleared, the doors were locked, and all was over.
The Long Parliament thus fell, unlamented.
Page 66. _I’le sing you a Sonnet._
Written and published in 1659; as we see by the references to “_Dick_
(_Oliver’s_ Heir) that pitiful slow-thing, Who was once invested with
purple clothing,”—his retirement being in April, 1659. Bradshaw, the
bitter Regicide (whose harsh vindictiveness to Charles I. during the
trial has left his memory exceptionally hateful), died 22nd November,
1659. Hewson the Cobbler was one of Oliver’s new peers, summoned in
January, 1658.
Pages 69, 368. _Be not thou so foolish nice._
The music to this, by Dr. John Wilson, is in his _Chearfull Ayres_,
1659-60, p. 126.
Pages 70, 369. _Aske me no more._
Public-domain text, read in full here on John Shaqi.
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