“If we wish to read the history of public opinion we must read the songs of the times: and those who help us to do this confer a real favour. Mr. Thomas Wright has done enormous service in this way by his collections of political songs. Mr. Chappell has done better by giving us the music with them; but much remains to be done. On examining the volume before us, we are surprised to find so many really beautiful pieces, and so few of the coarse and vulgar. Even the latter will compare favourably with the songs in vogue amongst the fast men in the early part of the present century. The “_Westminster Drolleries_” consist of two collections of poems and songs sung at Court and theatres, the first published in 1671, and the second in 1672. Now for the first time reprinted. The editor, Mr. J. Woodfall Ebsworth, has prefaced the volume with an interesting introduction ... and, in an appendix of nearly eighty pages at the end, has collected a considerable amount of bibliographical and anecdotical literature. Altogether, _we think this may be pronounced the best edited of all the reprints of old literature_, which are now pretty numerous. A word of commendation must also be given to Mr. Roberts, of Boston, the publisher and printer—the volume is a credit to his press, and could have been produced in its all but perfect condition only by the most careful attention and watchful oversight.” _From the “Athenæum,” April 10th, 1875._ “Mr. Ebsworth has, we think, made out a fair case in his Introduction for reprinting the volume without excision. The book is not intended _virginibus puerisque_, but to convey to grown men a sufficient idea of the manners and ideas which pervaded all classes in society at the time of the reaction from the Puritan domination.... Mr. Ebsworth’s Introduction is well written. He speaks with zest of the pleasant aspects of the Restoration period, and has some words of praise to bestow upon the ‘Merry Monarch’ himself.... Let us add that his own “Prelude,” “Entr’ Acte,” and “Finale” are fair specimens of versification.” FOOTNOTES [1] ELIZABETH CROMWELL.—A contemporary writes, “How many of the Royalist prisoners got she not freed? How many did she not save from death whom the Laws had condemned? How many persecuted Christians hath she not snatched out of the hands of the tormentors; quite contrary unto that [daughter of] Herodias who could do anything with her [step] father? She imployed her Prayers even with Tears to spare such men whose ill fortune had designed them to suffer,” &c. (S. Carrington’s _History of the Life and Death of His most Serene Highness OLIVER, Late Lord Protector_. 1659. p. 264.) Elizabeth Cromwell, here contrasted with Salome, more resembled the Celia of _As you Like It_, in that she, through prizing truth and justice, showed loving care of those whom her father treated as enemies.