The new 'vitalism' unfolds a living self-evolving universe, a restless, unfinished and never-to-be-finished development--the scope and goal of which cannot be foreseen or explained. An infinite number of possibilities open out; which the soul will follow no one can tell; why it follows this direction rather than that, no one can see. There seems to be no room here for teleology or purposiveness; and though Bergson has not yet worked out the theological and ethical implications of his theory, as far as we can at present say the personality and imminence of a Divine Being are excluded. Though Bergson never refers to Hegel by name, he seems to be specially concerned in refuting the philosophy of the Absolute, according to which the world is conceived as the evolution of the infinite mind. If 'tout est donne,' says Bergson, if all is given beforehand, 'why do over again what has already been completed, thus reducing life and endeavour to a mere sham.' But even allowing the force of that objection, the idea of a 'world in the making,' though it appeals to the popular mind, is not quite free from ambiguity. In one sense it states a platitude--a truth, indeed, which is not excluded from an absolute or teleological conception of life. But if it is implied that the world, because it is in process of production, may violate reason and take some capricious form, the idea is absurdly false, so long as we are what we are, and the human mind is what it is. The real must always be the rational. All enterprise and effort are based on the faith that we belong to a rational world. Though we cannot predict what form the world will ultimately take, we can at least be sure that it can assume no character which will {121} contradict the nature of intelligence. Even in the making of a world, if life has any moral worth and meaning at all, there must be rational purpose. There are creation and initiative in man assuredly, but they must not be interpreted as activities which deviate into paths of grotesque and arbitrary fancy. Our actions and ideas must issue from our world. Even a poem or work of art must make its appeal to the universal mind; any other kind of originality would wholly lack human interest and sever all creation and life from their root in human nature. But at least we must acknowledge that Bergson has done to the world of thought the great service of liberating us from the bonds of matter and the thraldom of a fatalistic necessity. It is his merit that he has lifted from man the burden of a hard determinism, and vindicated the freedom, choice, and initiative of the human spirit. If he has no distinctly Christian message, he has at least disclosed for the soul the possibility of new beginnings, and has shown that there is room in the spiritual life, as the basis of all upward striving, for change of heart and conversion of life.