Christianity as Mystical Fact, and the Mysteries of AntiquitySteiner, Rudolf
Religion
Christianity as Mystical Fact, and the Mysteries of Antiquity
Steiner, Rudolf
Anthroposophy; Christianity and other religions; Mysteries, Religious; Mysticism
Let us look upon the whole occurrence as though it were an initiation.
Lazarus is loved by Jesus (John xi. 36). No ordinary affection can be
meant by this, for it would be contrary to the spirit of St. John's
Gospel, in which Jesus is "The Word." Jesus loved Lazarus because he
found him ripe for the awakening of "the Word" within him. Jesus had
relations with the family at Bethany. This only means that Jesus had
made everything ready in that family for the final act of the drama,
the raising of Lazarus. The latter was a disciple of Jesus, such an
one that Jesus could be quite sure that in him the awakening would be
consummated. The final act in a drama of awakening consisted in a
symbolical action. The person involved in it had not only to
understand the words, "Die and become!" He had to fulfil them himself
by a real, spiritual action. His earthly part, of which his higher
being in the Spirit of the Mysteries must be ashamed, had to be put
away. The earthly must die a symbolic-real death. The putting of his
body into a somnambulic sleep for three days can only be denoted an
outer event in comparison with the greatness of the transformation
which was taking place in him. An incomparably more momentous
spiritual event corresponded to it. But this very process was the
experience which divides the life of the Mystic into two parts. One
who does not know from experience the inner significance of such acts
cannot understand them. They can only be suggested by means of a
comparison.
The substance of Shakespeare's _Hamlet_ may be compressed into a few
words. Any one who learns these words may say that in a certain sense
he knows the contents of _Hamlet_; and logically he does. But one who
has let all the wealth of the Shakespearian drama stream in upon him
knows _Hamlet_ in a different way. A life-current has passed through
his soul which cannot be replaced by any mere description. The idea of
_Hamlet_ has become an artistic, personal experience within him.
On a higher plane of consciousness, a similar process takes place in
man when he experiences the magically significant event which is bound
up with initiation. What he attains spiritually, he lives through
symbolically. The word "symbolically" is used here in the sense that
an outer event is really enacted on the physical plane, but that as
such, it is nevertheless a symbol. It is not a case of an unreal, but
of a real symbol. The earthly body has really been dead for three
days.[5] New life comes forth from death. This life has outlived
death. Man has gained confidence in the new life.
It happened thus with Lazarus. Jesus had prepared him for
resurrection. His illness was at once symbolic and real, an illness
which was an initiation (_cf._ p. 132 _et seq._), and which leads,
after three days, to a really new life.
Public-domain text, read in full here on John Shaqi.
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