Christina of Denmark, Duchess of Milan and Lorraine, 1522-1590Cartwright, Julia
History
Christina of Denmark, Duchess of Milan and Lorraine, 1522-1590
Cartwright, Julia
Christine, Duchess, consort of Francis I, Duke of Lorraine, 1521-1590; Europe -- History -- 1517-1648
In October he came to Joinville, and Christina, glad to be relieved
of the necessity of going to Court herself, invited him to pay her a
visit at Bar. In this once stately Romanesque castle, of which little
now remains, the Duchess and the Princess of Orange, "dowagers both,"
as Wotton remarks, entertained Francis magnificently, and provided a
series of hunting-parties and banquets for his amusement.
The true object of the King's visit was to arrange a marriage between
the Duchess and the Count of Aumale. The young soldier made no secret
of his love for his cousin's beautiful widow, Antoinette was anxious to
see her son settled, and both the King and the Guises were fully alive
to the political advantages of the alliance. On the 26th of October
Wotton wrote from Bar, "The fame continues of a marriage between the
Dowager of Lorraine and the Count of Aumale," although, as he had
already remarked in a previous letter, it was hard to believe the
Duchess's uncles would consent to the union. Aumale's own hopes were
high, and he sent a messenger to Scotland to tell his sister of the
good cheer which they were enjoying in Madame de Lorraine's house at
Bar.[389]
[Sidenote: OCT., 1546] MARRIAGE PROPOSALS]
But these hopes were doomed to disappointment. Christina was determined
never to marry again. Like her aunt, Mary of Hungary, having once
tasted perfect happiness, she was unwilling to repeat the experiment.
Her beauty was in its prime, her charms attracted lovers of every
age and rank. During the next ten or twelve years she was courted by
several of the most illustrious personages and bravest captains of the
age. She smiled on all her suitors in turn, and gave them freely of her
friendship, but remained true to her resolve to live for her children
alone, and took for her device a solitary tower with doves fluttering
round its barred windows, and the motto _Accipio nullas sordida turris
aves_ (A ruined tower, I give shelter to no birds), as a symbol of
perpetual widowhood.[390]
Public-domain text, read in full here on John Shaqi.
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