Christina of Denmark, Duchess of Milan and Lorraine, 1522-1590Cartwright, Julia
History
Christina of Denmark, Duchess of Milan and Lorraine, 1522-1590
Cartwright, Julia
Christine, Duchess, consort of Francis I, Duke of Lorraine, 1521-1590; Europe -- History -- 1517-1648
The late Pope, Clement VII., had already expressed his intention of
rewarding Ghilino's services with a Cardinal's hat, and his successor,
Paul III., would probably have kept his promise, but the Ambassador
fell ill in Sicily, and died at Palermo in September, to the Duke's
great sorrow.[122] Soon after receiving the news, Francesco himself
fell ill of fever, and once more lost the use of his limbs. All through
October he grew steadily worse, and by the end of the month the people
of Milan learnt that their beloved Prince was at the point of death. On
Monday, the Feast of All Saints, the public anxiety was at its height,
and silent crowds waited all day at the gates of the Castello to hear
the latest reports. At length, early in the morning of All Souls' Day,
they learnt that the last Sforza Duke was no more. Christina watched
by his bedside to the end, and wept bitterly, for, in the chronicler's
words, "they had loved each other well."[123] All Milan shared in her
grief, and nothing but sobbing and wailing was heard in the streets.
Everyone lamented the good Duke, and grieved for the troubles and
misery which his death would bring on the land. But the city remained
tranquil, and there was no tumult or rioting. This was chiefly due to
Stampa, who, by the Duke's last orders, took charge of the Duchess, and
administered public affairs in her name, until instructions could be
received from Cæsar.
A messenger was despatched without delay to the Emperor at Palermo,
with letters from the Count and a touching little note from Christina,
informing her uncle how her dear lord's weakness had gradually
increased, until in the early morning he passed to a better life. The
dead Prince lay in state for three days in the ducal chapel, clad in
robes of crimson velvet and ermine, on a bier surrounded by lighted
tapers. But the funeral was put off till the 19th of November, in
order, writes the chronicler, to give the people time to show the love
they bore their lamented master, and also because of the difficulty of
obtaining sufficient black cloth to drape the walls of the Castello
and put the Court in mourning. It was a sad time for the young widow.
During three weeks not a ray of light was allowed to penetrate the
gloom of the funereal hall where she sat with her ladies, while solemn
requiems and Masses were chanted in the chapel.
It had been Francesco's wish to sleep with his parents in the Church
of S. Maria delle Grazie, where the effigies of Lodovico and his lost
Beatrice had been carved in marble. But when this became known there
was a general outcry. The people would not allow their beloved Duke to
be buried anywhere but in the Duomo with the great Francesco and the
other Sforza Princes. So it was decided only to bury the Duke's heart
in the Dominican church. His body was laid in a leaden casket covered
with black velvet, and a wax effigy, wearing the ducal crown and robes,
was exposed to public view.
[Sidenote: NOV., 1535] FUNERAL RITES]
Public-domain text, read in full here on John Shaqi.
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