Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporariesHood, Edwin Paxton
History
Christmas Evans, the Preacher of Wild Wales: His country, his times, and his contemporaries
Hood, Edwin Paxton
Evans, Christmas, 1766-1838
But to return to Mr. Davies. Davies of Fishguard, aforementioned, gives
an illustration of his preaching: “The captain of a vessel was a member
of my Church at Fishguard, but he always attended Ebenezer, when his
vessel was lying at Swansea. One day, he asked another captain, ‘Will
you go with me next Sunday, to hear Mr. Davies? I am sure he will make
you weep.’ ‘Make _me_ weep?’ said the other, with a loud oath. ‘Ah!
there’s not a preacher in this world can make _me_ weep.’ However, he
promised to go. They took their seats in the front of the gallery. The
irreligious captain, for awhile, stared in the preacher’s face, with a
defiant air, as if determined to disregard what he might say; but when
the master of the assembly began to grow warm, the rough sailor hung down
his head, and before long, he was weeping like a child.” Here was an
illustration of the great power of this man to move, and influence the
affections.
As compared with other great Welsh preachers, Davies must be spoken of
as, in an eminent manner, a singer, a prophet of song, and the swell, and
cadences of his voice were like the many voices, which blend to make up
one complete concert. He was not only a master of the deep bass notes,
but he had a rich soprano kind of power, too; for we read that “when he
raised his voice to a higher pitch than ordinary, it increased in melody,
and power, and its effects were thrilling in the extreme; there were no
jarring notes—all was the music of eloquence throughout.” This must not
be thought wonderful—it is natural; all men cannot be thus, nor all
preachers, however good, and great. There are a few noble organs in the
world. The organ itself, however considered, is a wonderful instrument,
but there are some built with such extraordinary art that they are
capable of producing transcendent effects beyond most other instruments.
Davies, the preacher, was one of these amazing organs, in a human frame;
but the power of melody was still within his own soul, and it was the
wonderful score which he was able to read, and which he compelled his
voice to follow, which yet produced these amazing effects.
Public-domain text, read in full here on John Shaqi.
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