Christmas: Its Origin and Associations: Together with Its Historical Events and Festive Celebrations During Nineteen CenturiesDawson, W. F. (William Francis)
History
Christmas: Its Origin and Associations: Together with Its Historical Events and Festive Celebrations During Nineteen Centuries
Dawson, W. F. (William Francis)
Christmas -- History
With the latter of these Queen Elizabeth was so much delighted that
she promised Edwards a reward, which she subsequently gave him by
making him first Gentleman of her Chapel, and in 1561 Master of the
Children on the death of Richard Bowyer. As the Queen was particularly
attached to dramatic entertainments, about 1569 she formed the
children of the Royal Chapel into a company of theatrical performers,
and placed them under the superintendence of Edwards. Not long after
she formed a second society of players under the title of the
"Children of the Revels," and by these two companies all Lyly's plays,
and many of Shakespeare's and Jonson's, were first performed. Jonson
has celebrated one of the chapel children, named Salathiel Pavy, who
was famous for his performance of old men, but who died about 1601,
under the age of thirteen. In his beautiful epitaph of Pavy, Jonson
says:--
"'Twas a child that did so thrive
In grace and feature,
As heaven and nature seem'd to strive
Which own'd the creature.
Years he number'd scarce thirteen
When fates turn'd cruel,
Yet three fill'd Zodiacs had he been
The stage's jewel;
And did act, what now we moan.
Old men so duly,
That the Parcoe thought him one
He played so truly."
The Shakespearian period had its grand Christmases, for
THE CHRISTMAS PLAYERS
at the Court of Queen Elizabeth included England's greatest dramatist,
William Shakespeare; and the Queen not only took delight in witnessing
Shakespeare's plays, but also admired the poet as a player. The
histrionic ability of Shakespeare was by no means contemptible, though
probably not such as to have transmitted his name to posterity had he
confined himself exclusively to acting. Rowe informs us that "the
tip-top of his performances was the ghost in his own _Hamlet_;" but
Aubrey states that he "did act exceedingly well"; and Cheetle, a
contemporary of the poet, who had seen him perform, assures us that he
was "excellent in the quality he professed." An anecdote is preserved
in connection with Shakespeare's playing before Queen Elizabeth. While
he was taking the part of a king, in the presence of the Queen,
Elizabeth rose, and, in crossing the stage, dropped her glove as she
passed the poet. No notice was taken by him of the incident; and the
Queen, desirous of finding out whether this was the result of
inadvertence, or a determination to preserve the consistency of his
part, moved again towards him, and again dropped her glove.
Shakespeare then stooped down to pick it up, saying, in the character
of the monarch whom he was playing--
"And though now bent on this high embassy,
Yet stoop we to take up our cousin's glove."
He then retired and presented the glove to the Queen, who was highly
pleased with his courtly performance.
GRAND CHRISTMAS AT GRAY'S INN.
In 1594 there was a celebrated Christmas at Gray's Inn, of which an
account was published in 1688 under the following title:--
Public-domain text, read in full here on John Shaqi.
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