Thus in the Lord's Masque, at the marriage of the Palatine, the scene was divided into two parts from the roof to the floor; the lower part being first discovered, there appeared a wood in perspective, the innermost part being of "releeve or whole round," the rest painted. On the left a cave, and on the right a thicket from which issued Orpheus. At the back of the scene, at the sudden fall of a curtain, the upper part broke on the spectators, a heaven of clouds of all hues; the stars suddenly vanished, the clouds dispersed; an element of artificial fire played about the house of Prometheus--a bright and transparent cloud reaching from the heavens to the earth, whence the eight maskers descended with the music of a full song; and at the end of their descent the cloud broke in twain, and one part of it, as with a wind, was blown athwart the scene. While this cloud was vanishing, the wood, being the under part of the scene, was insensibly changing: a perspective view opened, with porticoes on each side, and female statues of silver, accompanied with ornaments of architecture, filled the end of the house of Prometheus, and seemed all of goldsmith's work. The women of Prometheus descended from their niches till the anger of Jupiter turned them again into statues. It is evident, too, that the size of the procenium accorded with the magnificence of the scene; for I find choruses described, 'and changeable conveyances of the song,' in manner of an echo, performed by more than forty different voices and instruments in various parts of the scene." The masque, as Lord Bacon says, was composed for princes, and by princes it was played. The King and Queen, Prince Henry, and Prince Charles (afterwards Charles the First) all appeared in Court masques, as did also the nobility and gentry of the Court, foreign ambassadors, and other eminent personages. In his notes to "The Masque of Queens," Ben Jonson refers several times to "the King's Majesty's book (our sovereign) of Demonology." The goat ridden was said to be often the devil himself, but "of the green cock, we have no other ground (to confess ingenuously) than a vulgar fable of a witch, that with a cock of that colour, and a bottom of blue thread, would transport herself through the air; and so escaped (at the time of her being brought to execution) from the hand of justice. It was a tale when I went to school."