Christmas: Its Origin and Associations: Together with Its Historical Events and Festive Celebrations During Nineteen CenturiesDawson, W. F. (William Francis)
History
Christmas: Its Origin and Associations: Together with Its Historical Events and Festive Celebrations During Nineteen Centuries
Dawson, W. F. (William Francis)
Christmas -- History
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
* * * * *
Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be."
[Illustration]
[Illustration: THE CHRISTMAS BELLS.]
As the poet Longfellow stood on the lofty tower of Bruges
Cathedral the belfry chimes set him musing, and of those
chimes he says:
"Then most musical and solemn, bringing back the olden times,
With their strange, unearthly changes, rang the melancholy chimes,
Like the psalms from some old cloister, when the nuns sing in the
choir;
And the great bell tolled among them, like the chanting of a friar.
Visions of the days departed, shadowy phantoms filled my brain:
They who live in history only seemed to walk the earth again."
CHRISTMAS AND NEW YEAR CARDS
were first circulated in England in 1846. That year not more than a
thousand copies were printed, and that was considered a large sale.
The numbers distributed annually soon increased to tens and hundreds
of thousands, and now there are millions of them. Mr. J. C. Horsley,
a member of the Royal Academy, designed this first card which
was sent out in 1846. It represents a family party of three
generations--grandfather and grandmother, father and mother, and
little children--and all are supposed to be joining in the sentiment,
"A Merry Christmas and a Happy New Year to you." The card was issued
from the office of one of the periodicals of the time, _Felix
Summerley's Home Treasury_. It was first lithographed, and then it was
coloured by hand.
Christmas and New Year Cards became very popular in the decade
1870-1880. But then, however, simple cards alone did not suffice. Like
many other things, they felt the influence of the latter-day
_renaissance_ of art, and by a sort of evolutionary process developed
cards monochrome and coloured, "Christmas Bell" cards, palettes,
scrolls, circular and oval panels, stars, fans, crescents, and other
shaped novelties; embossed cards, the iridescent series, the rustic
and frosted cards, the folding series, the jewel cards, the crayons,
and private cards on which the sender's name and sentiments are
printed in gold, silver, or colours; hand-painted cards with
landscapes, seascapes, and floral decorations; paintings on porcelain;
satin cards, fringed silk, plush, Broche, and other artistically
made-up novelties; "art-gem" panels; elaborate booklets, and other
elegant souvenirs of the festive season. Many of the Christmas
booklets are beautifully illustrated editions of popular poems and
carols.
Public-domain text, read in full here on John Shaqi.
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