Where the noisy trains speed over the iron highway past the
second-story windows of Allen Street, a cellar door yawns darkly in the
shadow of one of the pillars that half block the narrow sidewalk. A
dull gleam behind the cobweb-shrouded window pane supplements the sign
over the door, in Yiddish and English: "Old Brasses." Four crooked and
mouldy steps lead to utter darkness, with no friendly voice to guide
the hapless customer. Fumbling along the dank wall, he is left to find
the door of the shop as best he can. Not a likely place to encounter
the fastidious from the Avenue! Yet ladies in furs and silk find this
door and the grim old smith within it. Now and then an artist stumbles
upon them, and exults exceedingly in his find. Two holiday shoppers
are even now haggling with the coppersmith over the price of a pair
of curiously wrought brass candlesticks. The old man has turned from
the forge, at which he was working, unmindful of his callers roving
among the dusty shelves. Standing there, erect and sturdy, in his shiny
leather apron, hammer in hand, with the firelight upon his venerable
head, strong arms bared to the elbow, and the square paper cap pushed
back from a thoughtful, knotty brow, he stirs strange fancies. One half
expects to see him fashioning a gorget or a sword on his anvil. But his
is a more peaceful craft. Nothing more warlike is in sight than a row
of brass shields, destined for ornament, not for battle. Dark shadows
chase one another by the flickering light among copper kettles of ruddy
glow, old-fashioned samovars, and massive andirons of tarnished brass.
The bargaining goes on. Overhead the nineteenth century speeds by with
rattle and roar; in here linger the shadows of the centuries long dead.
The boy at the anvil listens open-mouthed, clutching the bellows-rope.
In Liberty Hall a Jewish wedding is in progress. Liberty! Strange how
the word echoes through these sweaters' tenements, where starvation
is at home half the time. It is an all-consuming passion with these
people, whose spirit a thousand years of bondage have not availed to
daunt. It breaks out in strikes, when to strike is to hunger and die.
Not until I stood by a striking cloak-maker whose last cent was gone,
with not a crust in the house to feed seven hungry mouths, yet who had
voted vehemently in the meeting that day to keep up the strike to the
bitter end,--bitter indeed, nor far distant,--and heard him at sunset
recite the prayer of his fathers: "Blessed art thou, O Lord our God,
King of the world, that thou hast redeemed us as thou didst redeem our
fathers, hast delivered us from bondage to liberty, and from servile
dependence to redemption!"--not until then did I know what of sacrifice
the word might mean, and how utterly we of another day had forgotten.
But for once shop and tenement are left behind. Whatever other days may
have in store, this is their day of play, when all may rejoice.
Public-domain text, read in full here on John Shaqi.
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