The bridegroom, a cloak-presser in a hired dress suit, sits alone and ill at ease at one end of the hall, sipping whiskey with a fine air of indifference, but glancing apprehensively toward the crowd of women in the opposite corner that surround the bride, a pale little shop-girl with a pleading, winsome face. From somewhere unexpectedly appears a big man in an ill-fitting coat and skullcap, flanked on either side by a fiddler, who scrapes away and away, accompanying the improvisator in a plaintive minor key as he halts before the bride and intones his lay. With many a shrug of stooping shoulders and queer excited gesture, he drones, in the harsh, guttural Yiddish of Hester Street, his story of life's joys and sorrows, its struggles and victories in the land of promise. The women listen, nodding and swaying their bodies sympathetically. He works himself into a frenzy, in which the fiddlers vainly try to keep up with him. He turns and digs the laggard angrily in the side without losing the metre. The climax comes. The bride bursts into hysterical sobs, while the women wipe their eyes. A plate, heretofore concealed under his coat, is whisked out. He has conquered; the inevitable collection is taken up. The tuneful procession moves upon the bridegroom. An Essex Street girl in the crowd, watching them go, says disdainfully: "None of this humbug when I get married." It is the straining of young America at the fetters of tradition. Ten minutes later, when, between double files of women holding candles, the couple pass to the canopy where the rabbi waits, she has already forgotten; and when the crunching of a glass under the bridegroom's heel announces that they are one, and that until the broken pieces be reunited he is hers and hers alone, she joins with all the company in the exulting shout of "Mozzel tov!" ("Good luck!"). Then the _dupka_, men and women joining in, forgetting all but the moment, hands on hips, stepping in time, forward, backward, and across. And then the feast. They sit at the long tables by squads and tribes. Those who belong together sit together. There is no attempt at pairing off for conversation or mutual entertainment, at speech-making or toasting. The business in hand is to eat, and it is attended to. The bridegroom, at the head of the table, with his shiny silk hat on, sets the example; and the guests emulate it with zeal, the men smoking big, strong cigars between mouthfuls. "Gosh! ain't it fine?" is the grateful comment of one curly-headed youngster, bravely attacking his third plate of chicken-stew. "Fine as silk," nods his neighbor in knickerbockers. Christmas, for once, means something to them that they can understand. The crowd of hurrying waiters make room for one bearing aloft a small turkey adorned with much tinsel and many paper flowers. It is for the bride, the one thing not to be touched until the next day--one day off from the drudgery of housekeeping; she, too, can keep Christmas.