American fiction -- 19th century; Christmas stories, American
One boy there is at St. Luke’s who deserves especial notice for his
regular attendance. The day is very cold and stormy indeed which does
not find him there; and neither worn-out shoes nor threadbare coat avail
to keep him at home. He does not always have his lesson, and he loses
more catechisms than I can tell; but he is _always there_; and, what is
better yet, he brings other children with him. Six, in all, he has
brought to the Sunday school, and we call him our little “recruiting
officer.” He has a very high-sounding name,—“Napoleon Augustus,”—but we
all know him as “Polie.”
CHAPTER III.
THE CHILDREN’S SEWING SOCIETY.
There were many baptisms that summer, and the little silver bowl was so
often called into requisition, that the people began to think a marble
Font would be a most appropriate and useful ornament for the church; and
who more appropriate to buy it than the children? So the teachers set
themselves at work to devise the best means by which it could be done.
And now, as it has something to do with the Font, I must tell you of the
Children’s Sewing Society, which met every Saturday afternoon at the
different houses in the parish, and was composed of the young girls of
St. Luke’s, together with many who came from the other denominations.
There were Carries and Lilies, and Adas, and Jennies, and Nellies and
Ellas, and Marys, and Kitty, and Lenas, and Ida, and Annies, and Fannys,
and many others, and they worked at first upon a patchwork quilt
intended for Nashotah. There were bits of calico of every quality and
hue, from flaming yellow down to sombre brown; and the blocks were put
together with but little regularity or adaptation of one color to
another. But could the student, whom it will keep warm next winter, have
seen the group of merry-hearted girls who worked upon that quilt,—some
with thimbles and some without; some with long stitches and some with
short,—and could he know how engaged they were in the work, and how
anxious even the youngest of them was to learn to sew for Nashotah,—he
would forgive whatever there is unsightly in the quilt, and hold it more
precious than the covering of kings’ couches. A lady in the parish, who
was deeply interested in the children’s society, offered to give five
dollars for the quilt when it was done, and then send it herself to
Nashotah; and this five dollars was the nucleus round which other funds
were to be gathered for the Font.
Public-domain text, read in full here on John Shaqi.
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