American fiction -- 19th century; Christmas stories, American
Judas was filled with horror at the useless expenditure of the three
hundred pence.
The second act, of which I omitted to speak, represented the high
priests in session, and consulting together how to secure the person of
Christ. Conspicuous among these was _Caiaphas_, who was admirably
represented by one of the Langs, and who never for an instant forgot the
part he was acting, or ceased to be other than the proud and despotic
man thirsting for the blood of the lowly Nazarene.
In the fourth act we had the temptation of Judas, and in the fifth the
institution of the Lord’s Supper, when Christ washed his disciples’
feet, and foretold that one of them should betray him. Next we saw the
Garden of Gethsemane, over which the shadows of night hung darkly, and
where the Saviour, in his great agony, prayed for the cup to pass from
him, if possible; while, a little apart, his disciples were sleeping
heavily. In the distance and gradually approaching nearer, the sound of
loud, excited voices and hurried footsteps was heard, as the Roman
soldiers, with the Pharisees and chief priests, approached, led by
Judas, who even then seemed to hesitate before giving the kiss of
betrayal. The text of the history is here followed very closely, and
ends with the captivity of the Saviour, who is borne away by the
soldiers.
By this time it was nearly twelve, and an intermission of an hour was
given, in which the spectators hurried to their lunch and were again in
their places by the time the cannon in the meadows announced that the
drama was about to be resumed.
As in the morning we followed the Saviour from his entry into Jerusalem
up to his betrayal, so in the afternoon we followed him to his
crucifixion and death, and saw him first before Annas, then before
Caiaphas, and then before Pilate, who strove so hard to save him, and
who, hoping to awaken the sympathy of the people for the man whose life
they sought, ordered Barabbas to be brought forth and placed side by
side with the noble captive. Where they picked up Barabbas is a marvel.
With long grey hair, which looked as if it never had been combed, and a
face from which you instinctively recoiled, he was led upon the stage by
a halter or chain,—a marked contrast to the calm, quiet dignity of
Joseph Maier, who, bound and bleeding from his recent scourging and the
crown of thorns, stood beside him before the rabble thirsting for his
blood and crying out, “Give us the Nazarene and let Barabbas go.”
Public-domain text, read in full here on John Shaqi.
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