After a little he came to a cross-road. This was Trèves. In the days
of the Romans it had been called Trivium, because of the three roads
that met there. On that spot had formerly stood an altar to Mercury,
the protector of roads, the god of travellers, and the patron of
thieves. Christianity had torn down the Pagan altar and replaced it
by a crucifix of granite. On the pedestal, gnawed by lichens, one may
still find the date, A. D. 1314. During the Hundred Years' War the
statue was shattered, and the cross-road strewn with its fragments.
Then, when the foreign element which sullied our land had been cast
out, when "Joan, the good maid of Lorraine," had returned the kingdom
of France to the little king of Bourges, the statue was raised, and
from that time it has been the object of special veneration through
the country. Every peasant bows before it, and even the veterinary,
who delights in laughing at priests, would not dare pass the Trèves
without raising his hat.
With his hands nailed to the cross, his brow encircled with thorns,
the Christ hangs, as though he were calling the whole world to take
refuge in his outstretched arms. He seems enormous. In the folds of
the cloth which girds his loins wrens have built nests that have
never been disturbed. His face is turned toward the East; and his
hollow, suffering gaze is fixed upon the sky, as though he were
looking for the star that guided the Magi and led the shepherds to
the stable in Bethlehem.
VIII.
Jacques did not forget his mother's instruction. He laid down his
fagot, took off his cap, and there, on his knees, began a prayer,
to which the wind moaned a dreary accompaniment. He repeated some
prayers which he had learned at the Catechism class; he said others
too,--fervent words that rose of themselves from his heart. And
as he prayed, he looked up at the Christ, lashed by the storm. Its
parted lips and upturned eyes gave it an expression of infinite pain.
Two little icicles, like congealed tears, hung on its eyelids, and
the emaciated body stretched itself upon the cross in a last spasm of
agony. Jacques began to suffer with the suffering embodied there, and
he was moved to console the One whom he had come to invoke.
When his prayers were said, he took up his fagot and started on his
way; but before he had left the cross-road behind him, he turned and
looked back. The Christ's eyes seemed to follow him. The face was
less sombre; the features seemed to have relaxed into an expression
of infinite gentleness. A gust of wind shook the snow that had
accumulated on its outstretched arms. One might have believed that
the statue had shivered. Jacques stopped. "Oh, my poor God," said he,
"how cold you are!" and he went back and stood before the crucifix.
Then with a sudden impulse he took off his cloak. He climbed upon
the pedestal, then putting his foot upon the projection of the
loin-cloth, and reaching about the shoulders, he threw the cloak
around the statue.
Public-domain text, read in full here on John Shaqi.
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