"Come, wake up, countryman; let it not be said that two Provençals
let Christmas go by without sprinkling it with a draught of wine--"
And Salvette raises him on his pillows with a mother's tenderness. He
fills the glasses, cuts the bread. They drink and speak of Provence.
Bernadou seems to be cheered by the reminiscences and the white wine.
With that childishness which invalids seem to find again in the
depths of their weakness he begs for a Provençal carol. His comrade
is only too happy.
"What shall it be,--'The Host' or 'The Three Kings' or 'Saint Joseph
told me'?"
"No; I prefer 'The Shepherds.' That is the one we used to sing at
home."
"Very well, then. Here goes, 'The Shepherds.'"
And in a low voice, with his head under the bed-curtains, Salvette
begins to sing. At the last verse, when the shepherds have laid down
their offering of fresh eggs and cheeses, and Saint Joseph speeds
them with kind words,--
"Shepherds,
Take your leave,"--
poor Bernadou slips back and falls heavily on his pillow.
His comrade, who believes that he has gone to sleep again, shakes him
by the arm and calls him; but the wounded man remains motionless, and
the twig of holly lying beside him looks like the green palm that
is laid on the couch of the dead. Salvette has understood; he is
slightly tipsy with the celebration and the shock of his sorrow; and
with a voice full of tears he sings out, filling the silent dormitory
with the joyous refrain of Provence,--
"Shepherds,
Take your leave."
MAESE PÉREZ, THE ORGANIST.
From the Spanish of GUSTAVO ADOLFO BÉCQUER.
I.
Do you see the one with the scarlet cloak and the white plume in his
hat,--the one whose jerkin seems to glitter with all the gold of the
Indian galleys? He is stepping from his litter; he gives his hand
to that lady, see her! She is coming this way now, preceded by four
pages bearing torches. Well, that is the Marquis of Moscoso, the
lover of the widowed Countess of Villapiñeda. They say that before he
thought of paying his addresses to her he had sought the hand of an
opulent gentleman's daughter. But the lady's father, whom people say
is something of a miser--but hush! speaking of the Devil. Do you see
that man coming through the arch of San Felipe, on foot, muffled in a
dark cloak, and accompanied by a single servant carrying a lantern?
Now he is in front of the street shrine.
"As he unmuffled to bow before the image, did you notice the
decoration that shone on his breast? But for that noble insignia any
one would mistake him for a shopkeeper of the street of the Culebras.
Well, that is the father in question. See how the people make way for
him and greet him as he goes by!
Public-domain text, read in full here on John Shaqi.
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