In truth, Maese Pérez, pale and disfigured, was entering the church,
carried in an armchair, which everybody claimed the honor of bearing
upon his shoulders. Neither the doctor's commands nor his daughter's
tears had been able to keep him in bed.
"No," he had said; "this is the last--the last--I know it. I will
not die without hearing the voice of my organ again, on this solemn
night, this good-night. Come, I implore, I command you, let us go to
the church!"
His desire was gratified. The people carried him in their arms to the
organ-loft. Mass began.
The cathedral clock struck twelve. After the introit came the Gospel,
the offertory, then the solemn moment when the priest, after having
consecrated the bread, takes the Sacred Form between his fingers and
begins to elevate it. A cloud of incense in bluish waves floated
through the church. The little altar-bells began to ring in vibrating
peals, and Maese Pérez laid his aged fingers upon the keys of the
organ.
The multitudinous voices of its metal pipes resounded in a prolonged
and majestic chord, which grew gradually fainter, as though the
breath of the wind had borne away its last echoes.
The first chord, which seemed like a voice from the earth calling
out to heaven, was answered by another, that seemed to come from
a great distance, soft at first, then swelling until it became a
torrent of thundering harmony.
It was the voice of the angels, which had traversed space and reached
the earth.
Then followed what seemed like canticles sung far away by the
hierarchies of seraphim, a thousand hymns at once blending into one,
which itself was no more than an accompaniment for a strange melody
that floated upon that ocean of mysterious echoes as a mist floats
over the waves of the sea.
Then various chants dropped out of the harmony, leaving two voices
which finally melted into each other; and this last isolated voice
lingered long, sustaining a note as brilliant as a thread of light.
The priest bent his brow, and above his white head, through the
blue gauzes of the incense, he held up the Host to the eyes of the
faithful. At that moment the tremulous note that Maese Pérez held
swelled and swelled until an immense explosion of joyous harmony
filled the church. In the far-off corners of the temple the air
seemed to buzz, and the jewel-windows quivered in their tight frames.
Each one of the notes which formed the mighty chord developed a
theme of its own, some near, some far, some brilliant, some muffled.
It seemed as though the waters and the birds, the breezes and the
forests, heaven and earth, were each in its own tongue singing the
birth of the Saviour.
Public-domain text, read in full here on John Shaqi.
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