"Well, yes, it seems to be a settled thing that the organist of San
Ramón, that squint-eye who is always abusing other organists, and
who looks more like a butcher from the Puerta de la Carne than like
a musician, is going to play this Christmas Eve on Maese Pérez's
organ. You know, of course,--for everybody knows it in Seville,--that
no musician would accept the undertaking. Not even his daughter,
who is a professor of music. After her father's death she entered
the convent as a novice. Her refusal was natural enough. Accustomed
as we were to hearing such marvels, anything else would seem poor,
no matter how desirous we might be to avoid comparisons; and so the
sisterhood had determined that in honor of the dead musician, and
in token of respect to his memory, the organ should remain dumb
to-night, when here comes our man, and declares that he is willing to
play it.
"There is nothing so bold as ignorance. To be sure, the fault is not
his, but theirs, who permit such a profanation. But that is the way
of the world--but, I say, it is no small crowd that has flocked here
to-night. One might think that nothing had changed from last year to
this,--the same fine people, the same splendor, the same crush at the
door, the same excitement under the portico, the same throng in the
temple. Ah, if the dead man were to rise, he would die a second death
rather than witness the profanation of his organ. But the best of it
is that if what the neighbors have told me is true, the intruder is
going to meet with a fine reception. When the time comes for him to
lay his hands on the keys, there are those who mean to make a hubbub
with tambourines, timbrels, and drums. But hold! there is the hero
of the occasion going into the church now. Holy saints! How gaudily
he has arrayed himself What a ruff, and what grand airs he assumes!
Come, come! the archbishop arrived some time ago, and Mass will soon
begin. Come! for I fancy this night will give us food for talk."
And saying this, the good woman penetrated into the church, opening a
way for herself through the crowd, according to her habit, by dint of
pushing and elbowing.
The ceremony had already begun.
The temple was as brilliant as it had been the year before. The new
organist pushed through the crowd that filled the naves, went up to
kiss the bishop's ring, then made his way to the organ-loft, where
he took his seat, and began to try the stops of the organ one after
another with much affectation of gravity. From the compact mass of
people in the rear of the church rose a muffled, confused sound,--a
sure augury that the storm was brewing and would not be long in
making itself felt.
"He is an impostor who cannot do anything straight, not even look
straight," said some.
Public-domain text, read in full here on John Shaqi.
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