"Because," said the organist, trying to control the emotion which was
revealed by the pallor of his countenance,--"because it is old and
poor, and with such an instrument one cannot express all that one
would like."
The archbishop retired, followed by his attendants. One by one the
litters of the noblemen disappeared in the curves of the neighboring
streets. The crowd around the portico was dissolved; and the faithful
dispersed, taking their various directions. The church was about to
be locked when two women, who had lingered to murmur a prayer before
the altar of San Felipe, crossed themselves and went their way,
turning into the Alley of the Dueñas.
"You may say what you choose, my dear Doña Baltasara," said one of
them, "but that is my opinion. Every madman with his whim. I would
not believe it if I heard it from the lips of a barefooted Capuchin.
It is not possible for this man to have played what we have just
heard. I tell you, I heard him a thousand times at San Bartolomé,
which was his parish, and from which he was turned out by the priest
because his music was so poor; my dear, it made you feel like
stopping your ears up with cotton. And then you have only to look at
his face. The face, they say, is the mirror of the soul. Think of
Maese Pérez. Poor dear man! On a night like this, when he came down
from the organ-loft after having held the congregation spell-bound,
what a kind smile he wore! What a happy flush on his countenance! He
was old, and yet he looked like an angel! As for this fellow, he came
stumbling down the stairs as though a dog were barking at him from
the landing, and with a face as pale as that of a corpse. Believe
me, my dear, in all truth, there is some mystery here."
IV.
A year had elapsed. The abbess of the convent of Santa Inés and the
daughter of Maese Pérez were speaking in a whisper, only half visible
in the shadows of the choir. The bells with loud voices were calling
to the faithful from the height of the steeple. Every now and then
one or two persons crossed the now silent and deserted portico; and
after taking holy water, they chose their place in the corner of the
nave, where a few neighbors were quietly waiting for midnight Mass to
begin.
"Do you see," the abbess was saying, "your fears are supremely
childish. There is scarcely a soul in the church. You should have
more self-confidence. All Seville is at the cathedral to-night. Play
for us, my child,--it is just as though we were alone. Why do you
sigh? What is the matter with you? Speak."
"I am afraid!" exclaimed the girl, in a shaken voice.
"Afraid? Why, what do you mean? Afraid of what?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account