The pantaloon was taken from the Venetians, and his former dress, a gown over a red waistcoat, was that of a Venetian citizen. Pulcinello, or Punch, as I am informed by an Italian friend, of considerable literary acquirements—the Chevalier Mortara—is derived from one Paolo or Paol Cinello, who was an attendant or buffoon at an inn at Acerras, about the year 1600, and so famous for his humour, that Silvio Fiorillo, the comedian, persuaded him to join his troop, whence his fame soon spread. In some parts, particularly in the west and north of the kingdom, the old Christmas play is still kept up, and a specimen is hereafter given. The subject of these plays, which agree in general effect, although varying in detail, is ‘St. George and the Dragon, with the King of Egypt, and Fair Sabra, his daughter;’ usually accompanied by ‘Father Christmas and the Doctor,’ and sometimes by very incongruous characters; as the great and exemplary man, whose loss the nation is now lamenting, as that of the first character in its history, the Duke of Wellington; and General Wolfe, who fights St. George, and then sings a song about his own death, beginning— “Bold General Wolfe to his men did say, Come, come, ye lads, come follow me, To yonder mountain, which is so high; Ye lads of honour, all for your honour, Gain the victory or die.” Occasionally burlesque characters are introduced, who have nothing to do with the piece, as Hub-Bub, Old Squire, &c., and they generally announce themselves, as one mentioned about 1760, by Jackson, in his ‘History of the Scottish Stage.’ “My name it is Captain Calf-tail, Calf-tail, And on my back it is plain to be seen; Although I am simple and wear a fool’s-cap, I am dearly beloved of a queen.”