The practice has continued to the present time, when the addition of the chrysanthemum, satin flower, and other everlastings, mingling with the red berry of the holly and the waxen one of the mystic misletoe, together with occasionally the myrtle and laurustinum, have a very pleasing and cheerful effect. In most places these greens and flowers are taken down after Twelfth Day, except in churches, where they are frequently kept till Lent; but, according to Herrick, they should remain in houses until Candlemas Day, and then “Down with the rosemary and so Down with the baies and misletoe; Down with the holly, ivie, all Wherewith ye drest the Christmas hall; That so the superstitious find No one least branch there left behind, For look, how many leaves there be Neglected there, maids, trust to me, So many goblins you shall see.” After the Restoration, the festive as well as the sacred observance of Christmas was immediately resumed, and on the very first Christmas Day, Evelyn says, Dr. Rainbow preached before the king, when the service was performed with music, voices, &c., as formerly. The court revels, however, never recovered their former splendour; plays, masks, and pageants were nearly abandoned, and the festivities gradually assumed the form of a mere state party, until in the time of our present gifted queen, the plays at court have been resumed with the utmost taste and talent. The manners of the country in general had been much changed during the ascendancy of the puritan party and the troubles occasioned by the civil wars; and the habits of Charles the Second were of too indolent and sensual a nature to care much for any trouble in the court pageants, though gambling at the groom-porter’s was prevalent—Charles generally opening there the Christmas revels, if they may be so called; the play was deep, of which many instances are given, the ladies joining in it. A pastoral, however, by Crowne, called ‘Calisto,’ was at one time acted by the daughters of the Duke of York (afterwards James the Second) and the young nobility; and Lady Anne, afterwards queen, about the same time acted the part of Semandra, in Lee’s ‘Mithridates.’ Betterton and his wife instructed the performers; in remembrance of which, when Anne came to the throne, she gave the latter a pension of £100 a year. [Illustration: James Stephanoff, del. Ashbee & Dangerfield, litho. TEMPLE REVELS BEFORE CHARLES THE SECOND.]