"Well, old Benjamin, the father, who was located in Framingham somewhere
about the year 1716, had twelve children and three of these--Benjamin,
Junior, Simon, and Aaron all became crackajack clockmakers, especially
Simon. The family, I take it, went to Grafton, a small town near
Worcester, later on. At any rate Benjamin, Junior, was born there. We
afterward hear of him in Lexington and are told that in 1771 he moved
from there to Roxbury. In this latter spot he himself set up a shop; but
he must still have maintained another one at Grafton, his birthplace,
where apprentices in the meantime carried on a part of his business, for
his clocks bear three different markings--Grafton, Lexington, and
Roxbury. He turned out excellent long-case clocks as well as some
musical ones, and many of these survive him. He died in Baltimore in
1803. Aaron, and his son Aaron, Junior (who entered his father's shop
in 1823), also made fine long-case clocks with brass works that found
ready sale."
"And Simon?"
"Ah, the story of Simon and his deeds would fill a book. He was the
flower of the family, so far, anyway, as clockmaking went. His handiwork
cannot be surpassed," exclaimed McPhearson with enthusiasm. "People are
liable to associate him only with the banjo clock that bears his name;
but in reality he made clocks of every imaginable description--long-case
clocks, tower clocks, gallery clocks, shelf clocks. He was a born clock
lover if ever there was one! He was, moreover, a marvelous man who up to
the end of his long life was active and useful. Even after he became
very old he fought to conceal the limitations age brought and remain
cheerful and independent. A wonderful example of lusty manhood, truly!
In the first place you must remember he started out on his career with
the same meager equipment that hampered all the early clockmakers. A
file, drill and hammer were practically the only tools he possessed.
Neither you nor I would think it possible to construct so delicate a
mechanism as a clock with so few articles to work with. We should insist
that we needed and _must have_ this thing, that thing, and the other
thing to use, and then we probably should not be able to produce a clock
that would go--let alone one that would keep accurate time. But you did
not hear Simon Willard doing any fussing. There was nothing of the
whiner about him. The fact that he was obliged to import brass from
England, hammer it down to the thickness necessary, file it until it
was smooth, and then polish it by hand did not daunt him. A more
persistent, painstaking, conscientious clockmaker never lived. What
marvel that he scorned to advertise? While others cried their products,
he simply pasted in the back of each of his clocks the few modest facts
he wished to announce and let his work go out to speak for itself."
"_Ask the man who owns one!_" put in Christopher, quoting a well-known
and modern advertisement.
Public-domain text, read in full here on John Shaqi.
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