Christopher Columbus and his monument Columbia : $b being a concordance of choice tributes to the great Genoese, his grand discovery, and his greatness of mind and purpose
History
Christopher Columbus and his monument Columbia : $b being a concordance of choice tributes to the great Genoese, his grand discovery, and his greatness of mind and purpose
For our archiepiscopal city we make these special arrangements: On the
12th, at half-past 7 o'clock P. M., the cathedral will be open to the
public; the clergy of the city is invited to assemble at 7 o'clock, at
the archbishopric, to march in procession to the cathedral, where short
sermons of ten minutes each will be preached in five different
languages--Spanish, French, English, German, and Italian. The ceremony
will close with Benediction of the Blessed Sacrament and the solemn
singing of the _Te Deum_. In order to celebrate the civil solemnity of
the 21st, we desire that a preliminary meeting be held at St. Alphonsus'
Hall, on Monday evening, the 22d of August, at 8 o'clock. The meeting
will be composed of the pastors of the city, of two members of each
congregation--to be appointed by them--and of the presidents of the
various Catholic societies. This body shall arrange the plan how to
celebrate the 21st of October.
May God, who has been kind and merciful to our people in the past,
continue his favors in the future and lead us unto life everlasting.
The pastors will read this letter to their congregations.
Given from our archiepiscopal residence, Feast of St. Dominic, August
the 4th, 1892.
FRANCIS JANSSENS,
_Archbishop of New Orleans_.
By order of His Grace:
J. BOGAERTS, _Vicar-general_.
THE COLUMBUS STATUE IN THE CITY OF NEW YORK
Stands at the Eighth Avenue and Fifty-ninth Street entrance to Central
Park, and was erected October 12, 1892, by subscription among the
Italian citizens of the United States, Canada, Mexico, and Central
America. From a base forty-six feet square springs a beautiful shaft of
great height, the severity of outline being broken by alternating lines
of figures, in relief, of the prows, or rostra, of the three ships of
Columbus, and medallions composed of an anchor and a coil of rope. In
July, 1889, Chevalier Charles Barsotti, proprietor of the _Progresso
Italo-Americano_, published in New York City, started a subscription to
defray the cost, which was liberally added to by the Italian government.
On December 10, 1890, a number of models were placed on exhibition at
the rooms of the Palace of the Exposition of Arts in Rome, and the
commission finally chose that of Prof. Gaetano Russo.
Public-domain text, read in full here on John Shaqi.
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