Christopher Columbus and his monument Columbia : $b being a concordance of choice tributes to the great Genoese, his grand discovery, and his greatness of mind and purpose
History
Christopher Columbus and his monument Columbia : $b being a concordance of choice tributes to the great Genoese, his grand discovery, and his greatness of mind and purpose
The same doubt attends the various portraits that pretend to represent
his features. The most reliable authorities--and the subject has been
under discussion for two centuries--agree that there is no tangible
evidence to prove that the face of Columbus was ever painted or sketched
or graven, during his life. His portrait has been painted, like that of
the Madonna and those of the saints, by many famous artists, each
dependent upon verbal descriptions of his appearance by contemporaneous
writers, and each conveying to the canvas his own conception of what the
great seaman's face must have been; but it may not be said that any of
the portraits are genuine, and it is believed that all of them are more
or less fanciful.
It must be considered that the art of painting portraits was in its
infancy when Columbus lived. The honor was reserved for kings and queens
and other dignitaries, and Columbus was regarded as an importunate
adventurer, who at the close of his first voyage enjoyed a brief
triumph, but from the termination of his second voyage was the victim of
envy and misrepresentation to the close of his life. He was derided and
condemned, was brought in chains like a common felon from the continent
he had discovered, and for nearly two hundred years his descendants
contested in the courts for the dignities and emoluments he demanded of
the crown of Spain before undertaking what was then the most perilous
and uncertain of adventures. Even the glory of giving his name to the
lands he discovered was transferred to another--a man who followed in
his track; and it is not strange, under such circumstances, that the
artists of Spain did not leave the religious subjects upon which they
were engaged to paint the portrait of one who said of himself that he
was a beggar "without a penny to buy food."
THE STANDARD OF MODERN CRITICISM.
The Hon. WILLIAM ELEROY CURTIS, in an able article in the
_Chautauquan Magazine_, September, 1892.
Whether the meager results of recent investigation are more reliable
than the testimony of earlier pens is a serious question, and the
sympathetic and generous reader will challenge the right of modern
historians to destroy and reject traditions to which centuries have paid
reverence. The failure to supply evidence in place of that which has
been discarded is of itself sufficient to impair faith in the modern
creation, and simply demonstrates the fallacy of the theory that what
can not be proven did not exist. If the same analysis to which the
career of Columbus has been subjected should be applied to every
character in sacred and secular history, there would be little left
among the world's great heroes to admire. So we ask permission to retain
the old ideal, and remember the discoverer of our hemisphere as a man
of human weaknesses but of stern purpose, inflexible will, undaunted
courage, patience, and professional theories most of which modern
science has demonstrated to be true.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account