"Genoa and Venice," writes Mr. Oscar Browning, in _Picturesque Europe_, "have much in common--both republics, both aristocracies, both commercial, both powerful maritime states; yet, while the Doge of Venice remains to us as the embodiment of stately and majestic pre-eminence, we scarcely remember, or have forgotten, that there ever was a Doge of Genoa. This surely can not be because Shakspere did not write of the Bank of St. George or because Genoa has no Rialto. It must be rather because, while Genoa devoted herself to the pursuits of riches and magnificence, Venice fought the battle of Europe against barbarism, and recorded her triumphs in works of art which will live forever. * * * Genoa has no such annals and no such art. As we wander along the narrow streets we see the courtyards of many palaces, the marble stairs, the graceful _loggia_, the terraces and the arches of which stand out against an Italian sky; but we look in vain for the magnificence of public halls, where the brush of Tintoretto or Carpaccio decorated the assembly-room of the rulers of the East or the chapter-house of a charitable fraternity." The artistic monument of Columbus, situated in the Piazza Acquaverde, facing the railway station, consists of a marble statue fitly embowered amid tropical palms, and is composed of a huge quadrangular pedestal, at the angles of which are seated allegorical figures of Religion, Geography, Strength, and Wisdom. Resting on this pedestal is a large cylindrical pedestal decorated with three ships' prows, on which stands a colossal figure of Columbus, his left hand resting on an anchor. At his feet, in a half-sitting, half-kneeling posture, is an allegorical figure of America in the act of adoring a crucifix, which she holds in her right hand. The four bas-reliefs on the sides of the pedestal represent the most important events in the life of the great discoverer: (1) Columbus before the Council of Salamanca; (2) Columbus taking formal possession of the New World; (3) his flattering reception at the court of Ferdinand and Isabella; (4) Columbus in chains. It is as well that this, the saddest of episodes, should be remembered, because great actions are as often as not emphasized by martyrdom. The first stone of the monument was laid September 27, 1846, and the completed statue formally dedicated in 1862. It bears the laconic but expressive dedication: "_A Cristoforo Colombo, La Patria_" (The Nation to Christopher Columbus).