Christopher Crayon's Recollections: The Life and Times of the late James Ewing Ritchie as told by himselfRitchie, J. Ewing (James Ewing)
History
Christopher Crayon's Recollections: The Life and Times of the late James Ewing Ritchie as told by himself
Ritchie, J. Ewing (James Ewing)
Great Britain -- Social conditions -- 19th century; Ritchie, J. Ewing (James Ewing), 1820-1898
Cassell when—in connection with Petter and Galpin—the firm had moved to
Playhouse Yard, next door to _The Times_ printing office, and thence to
the present magnificent premises on Ludgate Hill. At that time it became
the fashion—a fashion which has been developed greatly of late years—to
print for country papers a sheet of news, or more if they required it,
which then was filled with local intelligence, and became a local paper.
It was my duty to attend to the London paper, of which we printed fresh
editions every day. In that position I remained till I was rash enough
to become a newspaper proprietor myself. Mr. John Tallis, who had made a
handsome fortune by publishing part numbers of standard works, was
anxious to become proprietor of _The Illustrated London News_. For this
purpose he desired to make an agreement with Mr. Ingram, M.P., the
proprietor of the paper in question, but it came to nothing, and Mr.
Tallis commenced _The Illustrated News of the World_. When he had lost
all his money, and was compelled to give it up, in an evil hour I was
tempted to carry it on. It came to an end after a hard struggle of a
couple of years, leaving me a sadder and a wiser and a poorer man. Once,
and once only, I had a bright gleam of sunshine, and that was when Prince
Albert died, of whom and of the Queen I published fine full-length
portraits. The circulation of the paper went up by leaps and bounds; it
was impossible to print off the steel plates fast enough to keep pace
with the public demand, but that was soon over, and the paper sank
accordingly. Next in popularity to the portraits of Royalty I found were
the portraits of John Bright, Cobden, Spurgeon, and Newman Hall. For
generals, and actors and actresses, even for such men as Gladstone, or
Disraeli, or Charles Kingsley, the public at the time did not seem
greatly to care. But that was an episode in my career on which I do not
care to dwell. I only refer to it as an illustration of the fact that a
journalist should always stick to his pen, and leave business to business
men. Sir Walter Scott tried to combine the two, and with what result all
the world knows. In my small way I tried to do the same, and with an
equally disastrous result. Happily, I returned to my more legitimate
calling, which if it has not led me to fame and fortune, has, at any
rate, enabled me to gain a fair share of bread and cheese, though I have
always felt that another sovereign in any pocket would, like the Pickwick
pen, have been a great blessing. Alas! now I begin to despair of that
extra sovereign, and fall back for consolation on the beautiful truth,
which I learned in my copy-book as a boy, that virtue is its own reward.
When I hear people declaim on the benefits the world owes to the Press,
and say it is a debt they can never repay, I always reply, “You are
right, you can never repay the debt, but I should be happy to take a
small sum on account.” But it is a great blessing to think and say what
Public-domain text, read in full here on John Shaqi.
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