Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
History
Chronicle and Romance: Froissart, Malory, Holinshed: (The Harvard Classics Series)
England -- Social life and customs -- 16th century; Great Britain -- History -- Edward III, 1327-1377
that killeth them is after the head: a device brought from the Goths,
who had the like ordinance for the destruction of their white crows,
and tale made by the beck, which killed both lambs and pigs. The like
order is taken with us for our vermin as with them also for the
rootage out of their wild beasts, saving that they spared their
greatest bears, especially the white, whose skins are by custom and
privilege reserved to cover those planchers whereupon their priests do
stand at mass, lest he should take some unkind cold in such a long
piece of work: and happy is the man that may provide them for him, for
he shall have pardon enough for that so religious an act, to last if he
will till doomsday do approach, and many thousands after. Nothing
therefore can be more unlikely to be true than that these noisome
creatures are nourished amongst us to devour our worms, which do not
abound much more in England than elsewhere in other countries of the
main. It may be that some look for a discourse also of our other fowls
in this place at my hand, as nightingales, thrushes, blackbirds,
mavises, ruddocks, redstarts or dunocks, larks, tivits, kingfishers,
buntings, turtles (white or grey), linnets, bullfinches, goldfinches,
washtails, cherrycrackers, yellowhammers, fieldfares, etc.; but I
should then spend more time upon them than is convenient. Neither will
I speak of our costly and curious aviaries daily made for the better
hearing of their melody, and observation of their natures; but I cease
also to go any further in these things, having (as I think) said
enough already of these that I have named.[2]...
[2] Here ends the first chapter of "fowls," that which follows
being restricted to "hawks and ravenous fowls."--W.
Public-domain text, read in full here on John Shaqi.
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