Chronicles of Dustypore: A Tale of Modern Anglo-Indian SocietyCunningham, H. S. (Henry Stewart), Sir
History
Chronicles of Dustypore: A Tale of Modern Anglo-Indian Society
Cunningham, H. S. (Henry Stewart), Sir
British -- India -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
Dissimulation was an art of which life had not as yet taught her the
necessity, or experience familiarised the use. The unconscious hypocrisy
with which some natures from the very outset, perhaps all natures later
on in life, veil so much of themselves from the outer world, had never
occurred to her as a possible or necessary means of self-protection in
an existence which till now had been too simple, childish and innocent
to call for concealment. She fixed her clear, honest eyes on her
interrogator, whoever he was, be the question what it might, and he knew
that it was the truth, pure, simple and complete, that she was telling.
Each phase of feeling wrote itself on her expression almost before Maud
herself had realised it, certainly long before she knew enough about it
to attempt to conceal it from the world. The feeble attempts at
deception, which the accidents of life had from time to time forced upon
her, had proved such absolute failures as merely to warn her of the
uselessness of everything of the kind, even if it had occurred to her to
wish to deceive. Her courtesy was the courtesy of sincerity, and she had
none other to offer. Those whom she disliked, accordingly, pronounced
her rude, and it was fortunate that they were very few in number. Her
friends, on the contrary, and their name was legion, read, and knew that
they read, to the very bottom of her heart. Now, for the first time in
her life, she was distinctly conscious of a secret which it would be
misery and humiliation to divulge, but for the custody of which neither
nature nor art had supplied her with any effectual means. Silence was
the natural resource, but silence is sometimes more eloquent than
speech. Whether she spoke or whether she held her peace, Maud felt a
terrified conviction that she would betray herself, should it occur to
Sutton to pay the least attention to her state of mind.
'There,' Sutton said, pointing to a range of hills just visible in the
faint horizon, 'there is the Black Mountain, and there lies the pass
where we shall be marching in a day or two. It is such a grand, wild
place! I have been along it so often, but have never had leisure to
paint it. This time, however, I hope to get a sketch.'
'Tell me,' Maud said, 'the sort of expeditions these are, and what
happens, and what kind of danger you are all in.'
'I will tell you,' said her companion. 'They are hot, troublesome,
inglorious promenades, over country which lames a great many of our
horses and harasses our men. We burn some miserable huts, destroy a few
acres of mountain crops and drive off such cattle as the people have not
had time to drive away themselves, and, in fact, do all that soldiering
admits of in the absence of that most important ingredient of a
brilliant campaign, an enemy: _he_, unluckily, is invariably over the
hills and far away some hours previous to our arrival.'
Maud felt this account to be on the whole reassuring: 'How soon,' she
asked, 'will you come back again?'
Public-domain text, read in full here on John Shaqi.
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