“Yes, Master Postern,” said I, “he does so; and that same ‘very old drawing,’ is nothing less than a most fair and interesting view of the Western side, as it appeared about the time of Elizabeth, or James I., delicately drawn with a pen, slightly shaded, coloured, and gilded, but all faded by time, and nearly worn out by having been folded in two, from the continual friction of the surfaces. It measures about 24-1/4 inches, by 4-3/8 inches; and is now contained in the portfolio marked ‘_London and Westminster_, 1. 246, 247. C.’ As the Bridge is represented with the Northern end in a perfectly entire state, it must have been drawn anterior to the great conflagration which destroyed it in 1632-33; though it was probably to commemorate that event, that some rude and barbarous hand has disfigured it with those numerous streaks of red, which Bagford and Gough supposed to represent flames. From the minute and careful manner in which it is drawn, it may certainly be esteemed as peculiarly authentic; and, therefore, I proceed to notice to you, that it, very probably, contains a representation of the four Mills, which you have already mentioned as being set up near this place. At the Southern end, below the Traitors’ Gate, is a kind of long shed, formed of shingles, or thin boards, erected on three of the sterlings, and covering, as the Citizens proposed, four water wheels, which edifice is, doubtless, intended to represent the ANCIENT CORN MILLS AT LONDON BRIDGE. [Illustration] “Now, Mr. Barnaby, as this building stands out so far from the Bridge itself as to leave a considerable space between them, though enclosed on all sides, a sort of water-square open at the top, it appears to me an evident proof that it represents those very Mills. In the roof of the building are three sets of windows; and an open stage, or floor, appears a short distance below it. At the North end, also, of this most interesting prospect, against the first sterling, is a high square building, like a tower, having a low wooden gallery in front of it; and a single water-wheel turning beneath it; which are, most probably, intended for the WATERWORKS AND TOWER AT LONDON BRIDGE. [Illustration] “With regard to the other principal features of the Pepysian view, I shall remark to you only, that the Western side of the Nonesuch House is delineated in the richest and most delicate manner, all its carvings and columns being minutely drawn and touched with gold; whilst a whole grove of heads and quarters raised upon staves stands upon the top of the Traitors’ Gate beyond it; and so much then for a brief description of this ancient prospect of London Bridge.”