his Lordship would hold him excused from resigning the Bridge House, and submitting himself to his good pleasure. With these answers, Hawkins was probably forced to be content, as we meet with no farther correspondence upon this subject. “With these particulars, then, terminate our annals of London Bridge for the sixteenth century; but before we pass on to the opening of the following one, let me mention to you the views of this edifice which we possess, illustrative of the period we have now arrived at, and give you a general idea of its appearance, whilst it yet remained in its greatest state of splendour. “One of the most ancient representations of London Bridge is contained in that painting of the procession of King Edward VI. from the Tower, to his Coronation at Westminster, February the 19th, 1547; the original of which was executed to decorate a part of the Great Dining Room of Cowdray Hall, Sussex, the seat of Viscount Montague, where it was destroyed by fire in 1793. An engraving of this interesting picture was, however, published by the Society of Antiquaries in May, 1797; and the Bridge is there represented at the left hand of the engraving, containing four or five buildings erected on the side, in the centre of which rises a spire, perhaps meant for the Chapel of St. Thomas; and at the Southern end appears the gate. This, however, is but an oblique view, and by no means to be depended upon for its accuracy; though, at the same time, the plate contains numerous other interesting features of antiquity, which render it invaluable to all the admirers of London in the olden times. The next most ancient prints of this edifice are those maps and plans of London which include the Bridge; such as that contained in the ‘_Civitates Orbis Terrarum_,’ by George Braun and Francis Hohenberg, volume i., Cologne, 1523, folio, signature A:--the famous map of Radulphus Aggas, published about 1588; and some others of less note, of which you have a tolerably accurate account in Richard Gough’s ‘_British Topography_,’ volume i., pages 743-760. These plans, however, although exceedingly interesting, are, from their great extent, less pleasing than a view, as it regards particulars; for the buildings are sometimes so rudely and minutely sketched, as to convey no perfect idea to the minds of such as desire to contemplate old London in all its original quaintness and antique beauty.