Chronicles of Pharmacy, Vol. 1 (of 2)Wootton, A. C.
History
Chronicles of Pharmacy, Vol. 1 (of 2)
Wootton, A. C.
Pharmacy -- History
Nicholas Culpepper was apprenticed to an apothecary in Great St.
Helen’s, Bishopsgate, and at the same time a certain Marchmont
Nedham was a solicitor’s clerk in Jewry Street. Nedham became the
most notorious journalist in England, and founded and edited in turn
the _Mercurius Britannicus_, an anti-royalist paper, the _Mercurius
Pragmaticus_, violently anti-Commonwealth, and the _Mercurius
Politicus_, subsidised by Cromwell’s government, and supervised by
Mr. John Milton. This publication, amalgamated with the _Public
Intelligencer_, its principal rival, has descended to us as the _London
Gazette_. Probably Nedham and Culpepper were friends in their early
days, and they may have been comrades in arms when the war broke
out. But evidently they became fierce enemies later. In _Mercurius
Pragmaticus_ Nedham, pretending to review Culpepper’s translation of
the official Dispensatory, takes the opportunity of pouring on him a
tirade of scurrilous abuse. The translation, he says, “is filthily
done,” which was certainly not true. This is the only piece of
criticism in the article. The rest deals with the author personally.
Nedham informs his readers that Culpepper was the son of a Surrey
parson, “one of those who deceive men in matters belonging to their
most precious souls.” That meant that he was a Nonconformist. Nicholas
himself, according to Nedham, had been an Independent, a Brownist,
an Anabaptist, a Seeker, and a Manifestationist, but had ultimately
become an Atheist. During his apprenticeship “he ran away from his
master upon his lewd debauchery”; afterwards he became a compositor,
then a “figure-flinger,” and lived about Moorfields on cozenage. After
making vile insinuations about his wife, Nedham states that by two
years’ drunken labour Culpepper had “gallimawfred the Apothecaries’
Book into nonsense”; that he wore an old black coat lined with plush
which his stationer (publisher) had got for him in Long Lane to hide
his knavery, having been till then a most despicable ragged fellow;
“looks as if he had been stued in a tanpit; a frowzy headed coxcomb.”
He was aiming to “monopolise to himself all the knavery and cozenage
that ever an apothecary’s shop was capable of.”
Culpepper’s works answer this spiteful caricature, for at any rate
he must have been a man of considerable attainments, and of immense
industry. That his writings acquired no little popularity is best
proved by the fact that after his death it was good business to forge
others somewhat resembling them and pass them off as his.
TURQUET DE MAYERNE.
Public-domain text, read in full here on John Shaqi.
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