Chronicles of the Canongate, 1st SeriesScott, Walter
General
Chronicles of the Canongate, 1st Series
Scott, Walter
Scotland -- Social life and customs -- Fiction; Scots -- Foreign countries -- Fiction
When I entered the place I was received by Christie Steele herself, who
seemed uncertain whether to drop me in the kitchen, or usher me into
a separate apartment, as I called for tea, with something rather more
substantial than bread and butter, and spoke of supping and sleeping,
Christie at last inducted me into the room where she herself had been
sitting, probably the only one which had a fire, though the month was
October. This answered my plan; and as she was about to remove her
spinning-wheel, I begged she would have the goodness to remain and make
my tea, adding that I liked the sound of the wheel, and desired not to
disturb her housewife thrift in the least.
“I dinna ken, sir,” she replied, in a dry, REVECHE tone, which carried
me back twenty years, “I am nane of thae heartsome landleddies that can
tell country cracks, and make themsel’s agreeable, and I was ganging to
put on a fire for you in the Red Room; but if it is your will to stay
here, he that pays the lawing maun choose the lodging.”
I endeavoured to engage her in conversation; but though she answered,
with a kind of stiff civility, I could get her into no freedom of
discourse, and she began to look at her wheel and at the door more
than once, as if she meditated a retreat. I was obliged, therefore, to
proceed to some special questions; that might have interest for a person
whose ideas were probably of a very bounded description.
I looked round the apartment, being the same in which I had last seen my
poor mother. The author of the family history, formerly mentioned, had
taken great credit to himself for the improvements he had made in this
same jointure-house of Duntarkin, and how, upon his marriage, when his
mother took possession of the same as her jointure-house, “to his great
charges and expenses he caused box the walls of the great parlour”
(in which I was now sitting), “empanel the same, and plaster the roof,
finishing the apartment with ane concave chimney, and decorating the
same with pictures, and a barometer and thermometer.” And in particular,
which his good mother used to say she prized above all the rest, he had
caused his own portraiture be limned over the mantlepiece by a skilful
hand. And, in good faith, there he remained still, having much the
visage which I was disposed to ascribe to him on the evidence of his
handwriting,--grim and austere, yet not without a cast of shrewdness and
determination; in armour, though he never wore it, I fancy; one hand on
an open book, and one resting on the hilt of his sword, though I dare
say his head never ached with reading, nor his limbs with fencing.
“That picture is painted on the wood, madam,” said I.
“Ay, sir, or it’s like it would not have been left there; they look a’
they could.”
“Mr. Treddles’s creditors, you mean?” said I.
“Na,” replied she dryly, “the creditors of another family, that sweepit
cleaner than this poor man’s, because I fancy there was less to gather.”
Public-domain text, read in full here on John Shaqi.
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