§ 104.14. =Statuary and Painting.=--Under the Hohenstaufens =statuary=, which had been disallowed by the ancient church, rose into favour. Its first great master in Italy was Nicola Pisano, who died in A.D. 1274. Earlier indeed a statuary school had been formed in Saxony, of which no names but great works have come down to us. The goldsmith’s craft and metallurgy were brought into the service of the church by the German artists, and show not only wonderful technical skill, but also high attainment in ideal art. In =Painting= the Byzantines taught the Italians, and these again the Germans. At the beginning of the 13th century there was a school of painting at Pisa and Siena, claiming St. Luke as its patron, and seeking to impart more life and warmth to the stiff figures of the Byzantines. Their greatest masters were Guido of Siena and Giunta of Pisa, and the Florentine Cimabue, † A.D. 1300. Mosaic painting mostly on a golden ground was in favour in Italy. Painting on glass is first met with in the beginning of the 11th century in the monastery of Tegernsee in Bavaria, and soon spread over Germany and all over Europe.[315]--Continuation, § 115, 13. § 105. NATIONAL CUSTOMS AND THE NATIONAL LITERATURE. It was an age full of the most wonderful contradictions and anomalies in the life of the people, but every phenomenon bore the character of unquestionable power, and the church applied the artificer’s chisel to the unhewn marble block. In club law the most brutal violence prevailed, but bowed itself willingly or unwillingly before the might of an idea. The basest sensuality existed alongside of the most simple self-denial and renunciation of the world, the most wonderful displays of self-forgetting love. The most sacred solemnities were parodied, and then men turned in awful earnest to manifest the profoundest anxiety for their soul’s salvation. Alongside of unmeasured superstition we meet with the boldest freethinking, and out of the midst of widespread ignorance and want of culture there radiated forth great thoughts, profound conceptions, and suggestive anticipations.