§ 115.10. =The Italian National Literature.=[342]--=Dante Alighieri=, born at Florence in A.D. 1265, was in A.D. 1302 banished as a Ghibelline from his native city, and died an exile at Ravenna, in A.D. 1321. His boyish love for Beatrice, which after her early death continued to fill his soul to the end of his life, gave him an impulse to a “New Life,” and proved the unfailing source of his poetic inspiration. His studies at Bologna, Padua, and Paris made him an enthusiastic admirer of Thomas, but alongside of his scholastic culture there lay the quick perception of the beautiful, combined with a lively imagination. He was thus able to deal with the burning questions of his day in one of the greatest poetic masterpieces of any age, people, or tongue. His _Divina Commedia_ describes a vision in which the poet is led, first by the hand of Virgil, as the representative of human wisdom, through Hell and Purgatory, then by Beatrice, whose place at times is taken by the German Matilda (§ 107, 2), and finally by St. Bernard, as representatives of revealed religion, through Paradise and the several heavens up to the empyræum, the eternal residence of the triune God. The poet presents his readers with a description of what he saw, and reports his conversations with his guides and the souls of more important personages, most of them shortly before deceased, in which the problems of philosophy, theology, and politics are discussed. His political views, of which he treats _ex professo_ in the three books of his _De monarchia_, are derived from Aquinas’ theory of the State, but breathe a strong Italian Ghibelline patriotism, so that he places not only Boniface VIII. but also Frederick II. in Hell. In the struggle between the empire and the papacy he stands decidedly on the side of the former. With profound sorrow he bewails the corruption of the church in its head and members, but holds firmly by its confession of faith. And while lashing vigorously the corruptions of monkery, he eulogizes the heavenliness of the lives of Francis and Dominic.[343] =Petrarch=, who died in A.D. 1374, broke away completely from scholasticism, and turned with enthusiasm to classical studies. He combated superstition, _e.g._ astrology, but also contends against the unbelief of his age, and in his letters and poems lashes with merciless severity the immorality of the papacy and the secularization of the church.[344] In =Boccaccio= again, who died in A.D. 1375, antipathy to scholasticism, monkery, and the hierarchy had reached its utmost stage. He has no anger and denunciation, but only contempt, reproach, and wit to shoot against them. He also makes light of the moral requirements of Christianity and the church, especially the seventh commandment. But in later years he manifested deep penitence for the lascivious writing of his youth, to