§ 115.13. =Architecture and Painting= (§ 104, 12, 14)--=Gothic architecture= was the prevailing style in the churches of Germany, France, and England. In Italy, the humanist movement (§ 120, 1) led to the imitation of ancient classical models, and thus the Renaissance style was introduced, which flourished for 300 years. Its real creator was the Florentine Bruneleschi, who won imperishable renown by the grand cupola of the cathedral of Florence. Bramante, died A.D. 1514, marks the transition from the earlier Renaissance of the 15th century to the later of the 16th, at the summit of which stands Michael Angelo, A.D. 1474-1564. After a plan of Bramante Julius II., in A.D. 1506, began the magnificent reconstruction of St. Peter’s at Rome, the execution of which in its gigantic proportions occupied the reigns of twenty popes. It was completed under Urban VIII., in A.D. 1636. This great building, in consequence of the traffic in indulgences, entered on to defray its cost, became the occasion of the loss to the papacy of the half of western Christendom.--Sacred =Statuary=, in the hands of Ghiberti, died A.D. 1455, and Michael Angelo, reached the highest stage of excellence.--Of =Painting=, the Augustan age of which was the 15th century, there were properly four schools. Giotto, who died in A.D. 1336, was founder of the Florentine school, which was specially distinguished by its delineations of sacred history. To it belonged the Dominican Fra Giovanni da Fiesole, who painted only as he prayed, Leonardo da Vinci, Fra Bartolomeo, and Michael Angelo. Then there was the Lombard or Venetian School, at the head of which stands Giovanni Bellini, died A.D. 1516, which turned away from the church and applied itself with its fresh living colouring to the depicting of earthly ideals. Its most eminent representatives were Correggio, died A.D. 1534, and Titian, died A.D. 1576. In the Umbrian school, again, the spirit of St. Francis continued still to breathe. Its greatest master was Raphael of Urbino, the noblest and most renowned of all Christian painters, distinguished also as an architect. The German school had its ablest representatives in the brothers Hubert and John van Eyk, Albert Dürer, and Hans Holbein the Elder.--Continuation § 149, 15. § 116. POPULAR MOVEMENTS.