§ 168.9. =The peculiarities of worship among the Brethren= were also directed to the excitement of pious feeling; their sensuously sweet sacred music, their church hymns, overcharged with emotion, their richly developed liturgies, their restoration of the _agape_ with tea, biscuit, and chorale-singing, the fraternal kiss at communion, in their earlier days also washing of the feet, etc. The daily watchword from the O.T. and doctrinal texts from the N.T. were regarded as oracles, and were intended to give a special impress to the religious feelings of the day. As early as A.D. 1727 they had a hymn-book containing 972 hymns. Most of these were compositions of their own, a true reflection of their religious sentiments at that period. It also contained Bohemian and Moravian hymns, translated by Mich. Weiss, and also many old favourites of the evangelical church, often sadly mutilated. By A.D. 1749 it had received twelve appendices and four supplements. In these appendices, especially in the twelfth, the one-sided tendency to give prominence to feeling was carried to the most absurd lengths of caricature in the use of offensive and silly terms of endearment as applied to the Saviour. Zinzendorf admitted the defects of this production, and had it suppressed in 1751, and in London prepared a new, expurgated edition of the hymn-book. Under Spangenberg’s presidency Christian Gregor issued, in A.D. 1778, a hymn-book, containing 542 from Zinzendorf’s book and 308 of his own pious rhymes. He also published a chorale book in A.D. 1784. Among their sacred poets Zinzendorf stands easily first. His only son, Christian Renatus, who died A.D. 1752, left behind him a number of sacred songs. Their hymns were usually set to the melodies of the Halle pietists.