Finally, =Philology=, in the hands of Creuzer, Görres, Sepp, etc., unfolds in a Christian spirit the religion and mythology of classical paganism; and in the hands of Nägelsbach and Lübker expounds the religious life of the ancient world in relation to Christian truth. § 174.5. =National Literature= (§ 171, 11).--To some extent Goethe, but much more decidedly the romantic school of poets, was attached to Schelling’s philosophy of nature. The romanticists developed a deep religiousness of feeling, as shown in Novalis and La Motte Fouqué, and violent opposition to rationalistic theology as shown in Tieck, which in the case of Fr. Schlegel ran to the other extreme of moral frivolity as seen in his “Lucinde.” The romantic school as thus represented by Schlegel was joined by the party of Young Germany with its gospel of the rehabilitation of the flesh. Its mouthpiece was the gifted poet Heine. The pantheistic deification of nature by Schelling, and the self-deification of the Hegelian school obtained poetic expression in Leop. Schafer’s _Laienbrevier und Weltpriester_, as well as in Sallet’s _Laienevangelium_; while the sympathies of the young Hegelians with the revolutionary movements gained utterance in the poems of Herwegh, and in a more serious tone in those of Freiligrath. More recently the views of the _Protestantenverein_ (§ 180) have found their poetical representative in Nic. Eichhorn, whose “Jesus of Nazareth,” a tragical drama, 1880, deals with the life, works, and sufferings of the “historical Christ,” after the style of free Protestant science, with rich psychological analysis of the character in a brilliant imaginative production. Though composed with a view to theatrical representation, it has never yet been put on the stage.