Chushingura; Or, The Treasury of Loyal RetainersTakeda, Izumo
History
Chushingura; Or, The Treasury of Loyal Retainers
Takeda, Izumo
Forty-seven Ronin -- Drama; Japan -- History -- Ako Vendetta, 1703 -- Drama
GOEMON. Come, old mother, it is natural that you should cry;
but Master Oboshi will be highly pleased when I tell him in
detail how Kanpei died and hand the money he has offered.
This money which I have here round my neck, a hundred _ryo_
in all, I give you to offer prayers and hold services for
the repose of the souls of your husband and son-in-law. Now,
farewell, fare you well.
RECITATIVE. Tears in the eyes that gaze on and tears in the
eyes that look back, they part, alas, in a flood of tears.
[1] The God of Rice, whose messenger is the fox, to which popular
superstition ascribes supernatural powers.
[2] About ten o’clock.
ACT VII.
ACT VII.
RECITATIVE.
Would you amuse yourself with flowers, gather the fair ones
of Gion. There, to the east, south, north, and west, it
shines as brightly as if the Amida’s Paradise were gilded
over and over again. The bright array of dancers and other
women would deprive the genteelest of his senses and make
him no better than a dunce.
(_Enter Ono Kudayu and Sagisaka Bannai_).
KUDAYU. Please, show me in. Is not the host in? Host, host.
HOST. How busy I am kept! What fellow is it? Who is the
gentleman? Ah, Master Ono Kudayu! You asking to be shown in,
why, you surprise me.
KUDAYU. No, I have brought a gentleman who comes here for
the first time. You appear to be in great bustle. Have you a
room that I can take the gentleman into?
HOST. Oh, yes, sir. The wealthy Mr. Yura has this evening
had all the well-known women brought together so that the
rooms on the ground floor are completely occupied; but the
out-room is vacant.
KUDAYU. That, I suppose, is full of cobwebs.
HOST. There you are, sarcastic as usual.
KUDAYU. No, I mean that at my age I must take care not to be
caught in women’s toils.
HOST. Now that is too much. I cannot leave you down here;
and so up the stairs with you. Hi, waitresses, bring lights,
wine-cups, and tobacco-trays.
RECITATIVE. As he calls out in a loud voice, the sounds of
drums and _samisen_[1] are heard within.
KUDAYU. What do you think, Master Bannai? Do you see how
Yuranosuke is carrying on?
BANNAI. Master Kudayu, I think he must be mad. Though we
received many private reports from you, even my master
Moronao did not believe he was so far gone as that
and told me to come up to the Capital and inquire, and to
let him know at once if there was any cause for suspicion
Well, well, I am now quite convinced that you were right.
And his son Rikiya, what has become of him?
KUDAYU. The fellow comes here sometimes and is as dissipated
as his father. What puzzles me is that they feel no reserve
before each other. I came here this evening determined to
get to the very bottom of the affair. I will speak to you
privately. Now, let us go upstairs.
BANNAI. After you.
KUDAYU. Then, come this way.
RECITATIVE. A song is heard within.
“Though your heart is cold to me,
Your lips that move in sweet pretence of love
Are adept in flattery.”
Public-domain text, read in full here on John Shaqi.
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